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Theater - Private Lives

Coward's 'Private Lives' roars again

It wouldn't be a stretch to call Noël Coward's 1930 Private Lives the funniest play of the 20th century.
Charmed
By STEVE VINEBERG  |  June 08, 2012
The Darkness review

Review: The Darkness II

Have you ever felt a rage so powerful and consuming that it seemed to be operating under its own control? That's the Darkness.
The heart of the matter
By MITCH KRPATA  |  February 17, 2012
Art Preview: 2012

A new Gardner, plus landscapes, performance art, and RAD

Greater Boston's art-museum building boom continues with the debut of an expanded Isabella Stewart Gardner Museum in January.
Shapeshifting
By GREG COOK  |  December 30, 2011
Short Take: The Girl With the Dragon Tattoo

Review: The Girl With The Dragon Tattoo

Unfortunately, Fincher doesn't add much to Niels Arden Oplev's Swedish version: more Googling and plot-compressing montages and an altered but still convoluted ending.
Flamboyantly grisly sex crimes
By PETER KEOUGH  |  December 23, 2011
Blackthorn short take 2

Review: Blackthorn

This is one sequel superior to the original — if the original were Butch and Sundance: The Early Days .
Mateo Gil's prequel to Butch and Cassidy's tale
By PETER KEOUGH  |  October 14, 2011
Straw Dogs...

Review: Straw Dogs

Remaking, polishing, and in effect housebreaking what should've remained untamed and feral, Rod Lurie's new version of the Peckinpah classic follows the original's story beats closely, and so the devil is in the details.
Rod Lurie's new version of the Peckinpah classic
By MICHAEL ATKINSON  |  September 23, 2011


fright night 3

Review: Fright Night

Set in the sun-bleached city of sin, Las Vegas — where many of the strip's denizens are already dead inside — Fright Night plays upon elements of darkness and indulgence.
Friendly neighborhood vampire
By ALEXANDRA CAVALLO  |  August 19, 2011
man who fell bowie

Review: The Man Who Fell to Earth (1976)

Star Wars came out the year after Nicolas Roeg's enigmatic sci-fi film (re-released now in an uncut version), and after that no studio was likely to make anything similar again, nor would many audiences have the patience to watch it.
Nicolas Roeg's enigmatic sci-fi film
By PETER KEOUGH  |  August 12, 2011