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Film Review: Polisse

Review: Polisse

The third feature by French actress and filmmaker Maïwenn, about the inner-workings of Paris's Child Protection Unit (CPU), is certainly kinetic, though also mannered and hyperbolic.
Maïwenn's third feature film
By PATRICK Z. MCGAVIN  |  May 25, 2012
Fullmetal - Sacred

Review: Fullmetal Alchemist: The Sacred Star of Milos

The Fullmetal Alchemist series has expanded impressively, from the 2001 graphic novel, to the 2003 anime series and film to the 2009 reboot of the anime, and now Kazuya Murata's film, which picks up from the middle of the second anime reboot.
Animated alchemical battles
By MADDY MYERS  |  January 20, 2012
Outrage: Review

Review: Outrage

When it comes to ruthlessness, the yakuzas in Takeshi Kitano's slick bloodbath make the Corleones look like the Brady Bunch.
Ruthless yakuzas
By PETER KEOUGH  |  December 09, 2011
Weekend: Review

Review: Weekend

Among the world's masterpieces of misanthropy, Jean-Luc Godard's 1967 opus follows a loathsome, greedy, sexually perverse bourgeois married couple on a weekend jaunt into the French countryside during which they plan to murder the wife's dying father,
Jean-Luc Godard's 1967 opus
By GERALD PEARY  |  December 09, 2011
Little Rock 3

Review: Littlerock(1)

Two young Japanese tourists, siblings Rintaro (Rintaro Sawamoto) and Atsuko (Atsuko Okatsuka), get stranded when their car breaks down in the California backwater of the title.
Altogether original
By PETER KEOUGH  |  October 07, 2011
the hedgehog 3

Review: The Hedgehog

Eleven-year-old Paloma (Garance Le Guillemic) agrees, and plans to kill herself on her 12th birthday because she doesn't want to end up like the other members of her family — goldfish in a bowl.
Mona Achache's adaptation of Muriel Barbery's best-seller
By PETER KEOUGH  |  September 02, 2011


names of love 3

Review: The Names of Love

Child abuse, genocide — those French have a way with romantic comedies.
Softcore sex and politics
By PETER KEOUGH  |  August 19, 2011
atrocious movie

Review: Atrocious

When a central character spends enough time looking through the distorting lens of a camera, eventually something very nasty is going to show up.
A dizzying, bumpy ride
By ALEXANDRA CAVALLO  |  August 12, 2011