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At the gallerie Nomad, Lovecraft comes home

"All right, our next one we have is called 'Nyarlathotep,'" Janis Cimerol says. It is Sunday night, October 7, and Cimerol's broodingly psychedelic band, Hemlok, is playing a special gig before heading on a European tour.
Art Department
By PHILIP EIL  |  October 19, 2012
Review: Sacrifice

Review: Sacrifice

Adapted from a 13th-century stage play, this historical melodrama seems torn between trying to be a theatrical fable and a flashy action film.
Historical melodrama
By JAKE MULLIGAN  |  July 27, 2012
Passion Pit: Gossamer

Passion Pit | Gossamer

It's now been more than three years since Cambridge-bred Passion Pit birthed debut Manners to critical acclaim, a wait largely the result of a two-year world-touring schedule.
Columbia (2012)
By MICHAEL MAROTTA  |  July 20, 2012
Review: Pelotero

Review: Ballplayer: Pelotero

Ballplayer initially declares that it is about dreams, ambition, and family struggles, but by focusing almost entirely on money and market values, it strikes out.
Striking out
By MILES BOWE  |  July 13, 2012

Review: Max Payne 3

Max Payne 3 makes video-game violence mean something again.
Max Payne's bloody Brazilian getaway
By MITCH KRPATA  |  June 15, 2012
Short Take: Nobody Else But You

Review: Nobody Else But You

A dried-up French crime novelist (Jean-Paul Rouve) finds sudden inspiration for a new mystery in the true-life story of a TV weathergirl (Sophie Quinton).
Nothing special
By GERALD PEARY  |  June 08, 2012


Review: The Walking Dead: Episode 1

Halfway between a traditional point-and-click adventure game and a Heavy Rain -style interactive fiction, the central aim of The Walking Dead is to put players in impossible situations with no good outcome.
Dead reckoning
By MITCH KRPATA  |  June 02, 2012

Review: Elles(1)

How did the Polish filmmaker Malgoska Szumowska dupe the classy Juliette Binoche to participate in such a dubious, exploitative film?
Dubious and exploitative
By GERALD PEARY  |  May 11, 2012
Review:Being Flynn

Review: Being Flynn

Adaptations are always difficult to pull off, but this one had the extra baggage of being based on a lyrical book with chapter titles like "The Piss of God," and a tendency to jump back and forth through time as Flynn unpacks his life story.
Father complex
By THOMAS PAGE MCBEE  |  March 09, 2012
The Darkness review

Review: The Darkness II

Have you ever felt a rage so powerful and consuming that it seemed to be operating under its own control? That's the Darkness.
The heart of the matter
By MITCH KRPATA  |  February 17, 2012
Big Miracle - review

Review: Big Miracle

Taking a tip from the oil industry, Hollywood has started exploiting Alaska. Following in the tracks of The Grey is Ken Kwapis's take on a true story from 1988 about an effort to save gray whales trapped in the Arctic ice. Surprisingly, the film offer
Ken Kwapis's take on a true story from 1988
By PETER KEOUGH  |  February 03, 2012

Review - Miss Bala

Review: Miss Bala

Gerardo Naranjo's superb new feature, Miss Bala , brilliantly draws on the conflicted personality of a young beauty pageant contestant as a tragically stark emblem of Mexico's all-enveloping drug wars.
Gerardo Naranjo's superb new feature
By PATRICK Z. MCGAVIN  |  January 27, 2012
Silent Souls 3

Review: Silent Souls

This is probably the only film we'll encounter about the Merja culture of West Central Russia, a Finno-Ugric tribe in which even the most modernized people pay allegiance to ancient customs.
Magic realism and Chekhovian melancholy
By GERALD PEARY  |  January 20, 2012
Backtalk - Wenders

Interview: Wim Wenders takes 3D one step further

Some are surprised that Wim Wenders, like fellow veteran of the '70s New German Cinema Werner Herzog, has embraced something as newfangled as 3D.
Pina envy
By PETER KEOUGH  |  January 20, 2012
Blood and honey

Review: In the Land of Blood and Honey

Jolie has loosely reworked the story of Romeo and Juliet in an infamous setting familiar from CNN but here seen from the inside.
Angelina Jolie's feature directorial debut
By TOM MEEK  |  January 06, 2012
Review: Hell and Back Again

Review: Hell and Back Again

Winner of the Grand Jury Prize at the 2011 Sundance Film Festival, Hell and Back Again offers a potent documentary correlative to the narrative of The Hurt Locker .
The real-life story of a young marine
By GERALD PEARY  |  January 06, 2012

Pariah - review

Review: Pariah

Compared to the non-stop trauma of Precious , or even Gun Hill Road , Dee Rees's first feature plays like an episode of The Cosby Show .
Dee Rees's first feature
By PETER KEOUGH  |  January 06, 2012
MW3 - Paradise Lost

Closing the book on the West Memphis Three

The Paradise Lost story began in 1993 with the discovery of the bodies of three West Memphis, Arkansas, children in a watery ditch, hogtied and mutilated. A confession led police to the arrest of three teenagers: Damon Echols, Jason Baldwin, and Jessie
Between heaven and hell
By DANIEL BROCKMAN  |  January 06, 2012
House of Lies - Don Cheadle 2

Review: House of Lies

In a television landscape dominated by protagonists who are murderers, drug kingpins, serial philanderers, and other assorted life-ruiners, Showtime may have finally gone too far.
House of Lies and Shameless's heroes could be less anti-
By RYAN STEWART  |  January 06, 2012
Short Take: War Horse

Review: War Horse(1)

War Horse is corny, sentimental, overlong, but also spectacular at times, even stirring.
A veritable, old-fashioned story
By GERALD PEARY  |  December 23, 2011
the three musketeers 2011

Review: The Three Musketeers

Despite an inspired climax, it's all for fun, but not fun for all.
Paul W.S. Anderson's gimcracky adaptation
By PETER KEOUGH  |  October 28, 2011

Puss in Boots

Review: Puss in Boots 3-D

A mad scientist in The Skin I Live In and a talking cat in Puss in Boots : is there anything Antonio Banderas can't do?
More from the best character of the  Shrek franchise
By PETER KEOUGH  |  October 28, 2011

Review: Puncture

Though drawn from a true story, Adam and Mark Kassen's drama falls into the pattern of films like The Verdict in which a crapulous barrister gets a second chance by taking on a case of David-versus-Goliath injustice.
Facing down fat cats
By PETER KEOUGH  |  October 21, 2011
Mighty Macs 3

Review: The Mighty Macs

Based on a true story, but drawing on every underdog sports movie ever made, Tim Chambers's tale of Immaculata College's 1971 championship women's basketball team had me going — up to the regional semi-finals.
A study in stereotypes
By PETER KEOUGH  |  October 21, 2011
short takes tucker and dale

Review: Tucker & Dale vs. Evil

From Deliverance to the new Straw Dogs , elitist Hollywood hasn't shown rednecks any respect.
Eli Craig's morality tale
By PETER KEOUGH  |  September 30, 2011
short take restless

Review: Restless

Gus Van Sant's Restless follows a similar template to Jonathan Levin's 50/50 , with more precious results.
Death-obsessed teens in love
By PETER KEOUGH  |  September 30, 2011

short take Abduction

Review: Abduction

Taylor Lautner plays characters with mysterious origins and makes them boring.
Beautiful but boring
By PETER KEOUGH  |  September 30, 2011
Killer Elite short take

Review: Killer Elite

First Point Blank and now Killer Elite — isn't there a copyright law about stealing the titles of a better movie? Gary McEndry's espionage thriller isn't bad, but it isn't Peckinpah; all the two films have in common are the title and lots of shootin
Narrative confusion
By PETER KEOUGH  |  September 23, 2011
Manhattan Short FF

Review: Manhattan Short Film Festival

This selection of 10 short films from around the world runs the gamut of genres, from a brisk actioner to a political documentary to playful horror.
Running the gamut
By MICHAEL C. WALSH  |  September 23, 2011
My Afternoons with...

Review: My Afternoons with Margueritte

European cinema doesn't have as many sure-fire formulas as Hollywood, but the one described, I think, by Pauline Kael as the "lonely child, clean old man" scenario has long endured.
Twisting the "lonely child, clean old man" formula
By PETER KEOUGH  |  September 23, 2011