Latest Articles


Review: The Matchmaker

Arik (Tuval Shafir), a restless Israeli teenager, struggles against the cultural limits of Haifa in 1968 — it's a provincial prism untouched by rock music or the sexual revolution.
Cultural limits
By MILES HOWARD  |  June 22, 2012

Review: Elles(1)

How did the Polish filmmaker Malgoska Szumowska dupe the classy Juliette Binoche to participate in such a dubious, exploitative film?
Dubious and exploitative
By GERALD PEARY  |  May 11, 2012

Review: Goodbye First Love

The autobiographical third feature from French director Mia Hansen-Løve limns the ecstasy and tumult of youthful, sometimes self-destructive passion.
Self-destructive passion
By PATRICK Z. MCGAVIN  |  May 11, 2012
Shorttakes InDarkness

Review: In Darkness

Polish director Agnieszka Holland's Oscar-nominated story about a wastrel named Leopold Socha (Robert Wieckiewicz), who hid the Jews of Lvov from the Nazis by concealing them in the sewers, has an anguished and feral intensity.
Agnieszka Holland's Oscar-nominated story
By PATRICK Z. McGAVIN  |  March 02, 2012
The Divide review

Review: The Divide

Many a teleplay for The Twilight Zone threatened atomic Armageddon, and though Frontier(s) director Xavier Gens nukes New York in the opening shots of his latest thriller, he finds more inspiration in the horrors of human nature as seen in the old T
The horrors of human nature
By BRETT MICHEL  |  January 13, 2012
theater OR 4

Lyric's Or, mines the Restoration

Liz Duffy Adams's dramaturgical homage, Or, , is more florid than floral and sometimes clever bordering on cute. But the play, being given a brisk area premiere by the Lyric Stage Company of Boston (through November 6), is ingenious.
Before and aphra
By CAROLYN CLAY  |  October 21, 2011