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Cannes: Rust and Bone

Cannes turns 65 and shows no signs of retiring

Sixty-five is the age at which people think of retiring. Arguably the world's greatest film festival, Cannes — whose 65th edition began the day after beaming Socialist François Hollande was sworn in as President of France — has no such plans. This yea
Socialist security
By LISA NESSELSON  |  May 25, 2012
Griff the Invisible 3

Review: Griff the Invisible

Like Kick-Ass and Super , Leon Ford's Griff the Invisible reaffirms the notion that superheroes exist to provide the meek and marginalized with an empowering fantasy.
Downtrodden superheroes
By PETER KEOUGH  |  August 26, 2011
Lisbon Mysteries

Review: Mysteries of Lisbon

Ruiz's gorgeous, painterly visuals are shot from startling angles and work alongside his precise, anarchic, and gleefully absurd narrative to evoke a heightened reality that plumbs the mysteries of life.
Raúl Ruiz's legacy
By PETER KEOUGH  |  August 26, 2011
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Uninvited

A woman croupier drifts like a ghost through languidly lit hotel spaces, or submits to jackhammer missionary intercourse while an I'm-not-here expression hardens her turned-away face.
The phantom worlds of Nina Menkes
By CHRIS FUJIWARA  |  February 25, 2011
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Interview: Nev Schulman

These days, getting Andy Warhol's 15 minutes of fame seems less difficult than getting 15 minutes of privacy.
The photographer talks about the one that got away in Catfish
By PETER KEOUGH  |  September 18, 2010
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I could have been a blowjob

I wonder....
Failure
By KARL STEVENS  |  September 18, 2009


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Keeping It Real

We’ll get used to it, I suppose, this new category of moviegoing distress. Sooner or later, we get used to everything.
Sticking to the facts in a post-9/111 world, Michael Winterbottom and Paul Greengrass lead a new breed of filmmaker
By JAMES PARKER  |  June 20, 2007