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Humiliated: Why I hate Girls

I am a girl who hates Girls .
Television
By MICHAEL BRAITHWAITE  |  February 01, 2013
bb4

Ryan + Romney = Beavis & Butt-Head

It all makes sense, once you realize that Paul Ryan's high-school classmates voted him "biggest brownnoser."
The Republican Ticket
By EDITORIAL  |  August 17, 2012
ShortTake:Unforgivable

Review: Unforgivable

Lucky for André Téchiné that he's so slick with exposition.
Voyeurism and narcissism
By PETER KEOUGH  |  July 20, 2012
ShortTake: The Day He Arrives

Review: The Day He Arrives

"Stop copying me!" says Seong-jun (Yu Jun-sang), the has-been filmmaker at the center of the 12th cinematic Mobius strip from Hong Sang-soo.
Variations
By BRETT MICHEL  |  July 20, 2012
Movie:Trishna

Review: Trishna

If nothing else, Michael Winterbottom's updating of Tess of the D'Urbervilles to present-day India proves that Thomas Hardy will depress you no matter what the setting.
Tess of the D'Urbervilles set in present-day India
By PETER KEOUGH  |  July 20, 2012
Album: Purity Ring - Shrines

Purity Ring | Shrines

Ever imagined what it would be like to hear an angel-voiced woman recite a book of fairy tales in the back of a nightclub at 2 am as drowsy synth lines float through the speakers?
4AD (2012)
By REYAN ALI  |  July 20, 2012


Got no plans

Welcome to the Channel 9 News Noodle. I'm Kootie McDoof.
Politics + Other Mistakes
By AL DIAMON  |  May 25, 2012
Review: Tyrannosaur

Review: Tyrannosaur(1)

In his directorial debut, actor Paddy Considine has learned that the best way to develop sympathy for someone who kicks his dog to death is by comparing him to another character (Eddie Marsan) who urinates on his wife.
Paddy Considine's directorial debut
By PETER KEOUGH  |  February 24, 2012
Review: Bullhead

Review: Bullhead(1)

What this cattle farmer at the center of talented writer/director Michael R. Roskam's debut feature – Belgium's foreign-language Oscar nominee – lacks, he tries to make up for with steroids.
Michael R. Roskam's debut feature
By BRETT MICHEL  |  February 24, 2012
Review: Battle Royale

Review: Battle Royale (2000)

In a not-so-distant future society that has devolved into chaos, Japan's youth run amok, Clockwork Orange –style, and the government has passed an act decreeing that one unruly grade-school class will face off in a battle from which only one will emerg
A not-so-distant future society
By ALEXANDRA CAVALLO  |  February 24, 2012
Review Addiction Inc

Review: Addiction Incorporated

Much of the first half of Charles Evans Jr.'s muckraking documentary is annoyingly gimmicky, relying on unneeded graphics, animation, and imitation-Errol-Morris effects to tell the tale of a Philip Morris scientist, Victor DeNoble, who became a key gove
Charles Evans Jr.'s muckraking documentary
By GERALD PEARY  |  February 24, 2012


Snow Patrol - Fallen Empires

Snow Patrol | Fallen Empires

Word on the street had Snow Patrol looking to change up the big anthem sound for their sixth release.
Interscope (2011)
By MICHAEL CHRISTOPHER  |  January 13, 2012
Short Take: J. Edgar

Review: J. Edgar

Filmmaker Clint Eastwood, famously Republican, portrays right-wing hero J. Edgar Hoover, the late FBI head, as a self-aggrandizing, conniving bully and mama's boy who broke the law whenever he wanted to bring anyone down.
DiCaprio as right-wing hero J. Edgar Hoover
By GERALD PEARY  |  November 11, 2011
Inside Hana's Suitcase - Short Take

Review: Inside Hana's Suitcase

When Fumiko Ishioka, the director of the Holocaust Education Centre in Tokyo, is given charge of a child's suitcase found in the rubble of Auschwitz — a rarity, as most such belongings were lost — it piques her interest. She and her students decide to f
Larry Weinstein's stirring documentary
By ALEXANDRA CAVALLO  |  November 11, 2011
Short Take: Into the Abyss

Review: Into the Abyss

From the abyss of time in Cave of Forgotten Dreams , Werner Herzog turns to the abyss of capital punishment in today's America.
Werner Herzog turns to the abyss of capital punishment
By PETER KEOUGH  |  November 11, 2011
Short Take: Janie Jones

Review: Janie Jones

Borrowing the name of a Clash song with which it has nothing in common, this generic riff on the Crazy Heart template by writer/director David M. Rosenthal ( Falling Up ) also cribs from Sofia Coppola's Somewhere .
A generic riff on the Crazy Heart template
By BRETT MICHEL  |  November 11, 2011


Short Take Melancholia

Review: Melancholia

Here's what we learn from Melancholia : life sucks, people are awful, we're all going to die, and good riddance. Who says Lars von Trier doesn't like happy endings?
Who says Lars von Trier doesn't like happy endings?
By PETER KEOUGH  |  November 11, 2011
Immortals Short Take

Review: Immortals

In Ancient Greece a stonemason is plucked from obscurity to battle evil while a posse of beautiful gods look on from their fabulous Olympian penthouse, before plunging earthwards to kick mortal butt.
Tarsem Singh's "visionary" directing
By SHEILA JOHNSTON  |  November 11, 2011
short take anonymous

Review: Anonymous

For most folks, if Shakespeare didn't write those plays, it wouldn't be the end of the world. Nor does it seem a likely topic for Roland Emmerich, whose films usually are about the end of the world.
Absurd entertainment
By PETER KEOUGH  |  October 28, 2011
A Heroic Life

Review: Gainsbourg: A Heroic Life

In this tour de force biopic, cartoonist-filmmaker Joann Sfar uses darkly comic fairy tale elements to illustrate Gainsbourg's creative process.
The life of Serge Gainsbourg
By BETSY SHERMAN  |  October 28, 2011
the skin I live in movie

Review: The Skin I Live In

Pedro Almodóvar applies all his hypnotic control to a sensuous, sinister tale of a plastic surgeon who kidnaps a beautiful woman in order to shroud her in experimental skin.
A sensuous, sinister tale of a plastic surgeon
By SHEILA JOHNSTON  |  October 28, 2011


Paranormal activity

Review: Paranormal Activity 3

Aside from the fan-cam, 3 has little to offer: the camera is shakier and 2 's ludicrous backstory is continued.
Little to offer
By ANN LEWINSON  |  October 28, 2011
the three musketeers 2011

Review: The Three Musketeers

Despite an inspired climax, it's all for fun, but not fun for all.
Paul W.S. Anderson's gimcracky adaptation
By PETER KEOUGH  |  October 28, 2011
Puss in Boots

Review: Puss in Boots 3-D

A mad scientist in The Skin I Live In and a talking cat in Puss in Boots : is there anything Antonio Banderas can't do?
More from the best character of the  Shrek franchise
By PETER KEOUGH  |  October 28, 2011
The Rum Diary

Review: The Rum Diary

It's neat seeing Depp, more than a decade after his balding Raoul Duke in Fear and Loathing in Las Vegas , as the younger Hunter S. Thompson, softening mannerisms later made brittle with cocaine, even if the performance is all surface.
Depp as the younger Hunter S. Thompson
By ANN LEWINSON  |  October 28, 2011
Faire in Love

Review: All's Faire In Love

It seems that before actually performing in a Renaissance Faire, actors first have to appear in a movie about one.
Scott Marshall's Renn Faire stinker
By PETER KEOUGH  |  October 28, 2011


short takes black power mixtape

Review: The Black Power Mixtape 1967-1975

In the era when the Black Panther Party was its most powerful and off-the-pig-threatening and separatist, there was little interest in even conversing with whitey, unless whitey was from somewhere other than the ultra-racist USA.
A collage of privileged documentary moments
By GERALD PEARY  |  September 30, 2011
Manhattan Short FF

Review: Manhattan Short Film Festival

This selection of 10 short films from around the world runs the gamut of genres, from a brisk actioner to a political documentary to playful horror.
Running the gamut
By MICHAEL C. WALSH  |  September 23, 2011
My Afternoons with...

Review: My Afternoons with Margueritte

European cinema doesn't have as many sure-fire formulas as Hollywood, but the one described, I think, by Pauline Kael as the "lonely child, clean old man" scenario has long endured.
Twisting the "lonely child, clean old man" formula
By PETER KEOUGH  |  September 23, 2011
Straw Dogs...

Review: Straw Dogs

Remaking, polishing, and in effect housebreaking what should've remained untamed and feral, Rod Lurie's new version of the Peckinpah classic follows the original's story beats closely, and so the devil is in the details.
Rod Lurie's new version of the Peckinpah classic
By MICHAEL ATKINSON  |  September 23, 2011