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film FreeMen

Review: Free Men

In a little known footnote to the Holocaust, the head of the Paris mosque, Si Kaddour Ben Ghabrit, helped many Jews escape the Nazis.
Solidarity and mistrust in war-time Paris
By  |  March 17, 2012
Being Jewish In France

Review: Being Jewish in France

"A love affair gone sour," is how one of the writers quoted in director Yves Jeuland's documentary describes the Vichy collusion with the Nazis, which ended with thousands of French Jews rounded up by Gendarmes and shipped to death camps.
Yves Jeuland's documentary
By PETER KEOUGH  |  March 16, 2012
Shorttakes InDarkness

Review: In Darkness

Polish director Agnieszka Holland's Oscar-nominated story about a wastrel named Leopold Socha (Robert Wieckiewicz), who hid the Jews of Lvov from the Nazis by concealing them in the sewers, has an anguished and feral intensity.
Agnieszka Holland's Oscar-nominated story
By PATRICK Z. McGAVIN  |  March 02, 2012
review of sucker punch

Review: Sucker Punch

The director of 300 and Watchmen has plenty of visual panache, but when it comes to storytelling, he's a bombastic hack.
Loud, sexy, and inane
By TOM MEEK  |  April 01, 2011
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Review: A Film Unfinished

Some realities even the best propagandists can't spin.
Documentary reassembles footage discarded by the Nazis
By PETER KEOUGH  |  September 24, 2010
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The Rhode Show in outer space

Easily the most otherworldly, bizarre event in this year's busy campaign season was the August 23 appearance on Channel 12's The Rhode Show by Providence mayoral candidate Christopher Young, renowned for his multiple bids for office in the Biggest Li
Crooning with Chris Young; Nazi talk; Clemens v. congress; the lure of the bucket
By PHILLIPE AND JORGE  |  August 27, 2010


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Review: Harlan — In The Shadow Of 'Jud Süß'

The story of Veit Harlan, the director of the Third Reich’s most notorious anti-Semitic film, still provokes and fascinates.
How film became a murder weapon under the Third Reich
By PETER KEOUGH  |  May 28, 2010
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Review: OSS 117: Lost In Rio

This sequel to the hilarious OSS 117: Cairo, Nest of Spies supplies the further adventures of Hubert Bonisseur de la Bath, a secret agent so chauvinistic, he pities anyone not lucky enough to be French.
Eyebrow Arch of Triumph
By BETSY SHERMAN  |  May 21, 2010
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Life after Pi

In contemporary literature, the Holocaust is the okapi in the room: looming and somehow irresistible.
Yann Martel’s next allegory
By CLEA SIMON  |  April 16, 2010
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Hidden letters from the Holocaust

Thirteen years ago, a carpenter demolishing an old tenement in Amsterdam found 86 letters and postcards and one telegram hidden in the attic floor.
Dispatches
By ELIZABETH RAU  |  April 09, 2010
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Review: The Saboteur

When Pandemic Studios was shuttered on November 17, it seemed less another casualty of the economy than a mercy killing.
Pandemic Studios' swan song
By MITCH KRPATA  |  January 08, 2010


DregNog Video Advent Calendar: Day #7 - Santa's elves, or secret Nazi weapons?


Grizzly Adams wants to know the connection between the elves and the NazisEven though you've probably already gorged on our dozen-course Christmas horror buffet ("The...
By Shaula Clark  |  December 20, 2009
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Alternative universe

In the 1930s and '40s, Boston painters developed a moody, mythic realism. They mixed social satire with depictions of street scenes, Biblical scenes, and mystical symbolic narratives, all of it darkened by the shadow of the Great Depression and World W
Boston Expressionism in context
By GREG COOK  |  December 18, 2009
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Berlin calling

If you ask someone whether they've seen Cabaret , odds are the answer will be yes. Ask Curt Columbus, and the answer is likely to be: Which one? Sitting in the upstairs theater of Trinity Repertory Company, where their production runs through October
A ‘very Trinity’ take on Cabaret
By BILL RODRIGUEZ  |  September 18, 2009
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Hot Nazi beach reads

Nazis aren't blitzing just the movie screens this year, though — they're also invading the bookstores, with battalions of novels and non-fiction tomes published or upcoming.
The new wave of Reich books: pop genres, good Germans
By PETER KEOUGH  |  August 21, 2009
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Interview: Quentin Tarantino

Quentin Tarantino began writing the screenplay for Inglourious Basterds more than 10 years ago. When I got him on the phone, he talked about the film's long gestation and how he chose his actors.
The director talks Basterds
By KAM WILLIAMS  |  August 21, 2009


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Review: Inglourious Basterds

From the beginning, Tarantino's obsessive self-referentiality and movie allusions never let you forget that you're watching a film.
Payback for Hitler in Inglourious Basterds
By PETER KEOUGH  |  August 21, 2009
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White-supremacist code printed nationwide

While von Brunn survived to face federal criminal charges and may yet die slowly in federal prison, he did manage to get newspapers around the globe to print a white-supremacist code praising Adolf Hitler right next to his name.
Co-Opting the Media
By JEFF INGLIS  |  June 19, 2009
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Nazis, Manet, and romance

During World War II, Nazi plunderers focused their greedy eyes on Paris and began looting the city's artwork — operating according to Hitler's plan to open a massive, self-aggrandizing museum in Germany.
Telling Fiction from Fact
By CAITLIN E. CURRAN  |  February 19, 2009
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Review: Defiance

Edward Zwick directs the true-ish tale of the Bielskis.
Perfectly coiffed actors in the unforgiving woodland setting is a poor choice
By BRETT MICHEL  |  January 13, 2009
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Interview: Ed Zwick

On January 16, director Ed Zwick's Defiance storms theaters with its harrowing tale of the freedom-fighting Bielski brothers, who retreat to the forests of Belarus to protect an ever-growing brigade of Jewish refugees and wage relentless guerilla war
Into the woods
By SHAULA CLARK  |  January 13, 2009


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Review: Valkyrie


You know the bad guys win, so what's the point?
By PETER KEOUGH  |  December 23, 2008
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The problem with liberals' dislike of Rick Warren

The need to be consistent in the defense of the rights of all in our country — even those whose views we may find abhorrent.
Uncivil Liberties
By MARY ANN SORRENTINO  |  December 23, 2008