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HBO - TV - Luck

Review: Luck

You get the feeling that Milch and Mann just want to show off what they know about horse racing. When one of Marcus's crew keeps screaming out during the big Pick Six race, "What's going on!?," he speaking for the audience.
HBO goes to the races
By JON GARELICK  |  January 27, 2012
Jazz 2012 Violin

Old favorites and debuts make the scene

We have to wait for spring to see Charlie Haden's Quartet West and the Joshua Redman/Brad Mehldau duo, but there are still plenty of ways to keep an eye and ear on jazz in the winter months.
Rich choices
By JON GARELICK  |  December 30, 2011
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Thorpe nabs Deems Taylor Award

Phoenix columnist David Thorpe has been named one of the winners of this year's ASCAP Deems Taylor Award for writing about music.
Blowing Our Own Horn Dept.
By BOSTON PHOENIX STAFF  |  October 14, 2011
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Paul Lieberman's Brazilian accent

How did a middle-class Jewish kid from New Jersey become a first-call session musician in Rio de Janeiro?
Bilingual
By JON GARELICK  |  August 19, 2011
Assaf Kehati - Flowers and Other Stories

Assaf Kehati Quartet | Flowers and Other Stories

The Boston-based Israeli guitarist Assaf Kehati and his quartet know how to straddle the great divide.
AKJazz (2011)
By JON GARELICK  |  July 15, 2011
Assaf Kehati - Flowers and Other Stories

Assaf Kehati Quartet | Flowers and Other Stories

The Boston-based Israeli guitarist Assaf Kehati and his quartet know how to straddle the great divide.
AKJazz (2011)
By JON GARELICK  |  July 15, 2011
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Maximum pleasure

Ann Beattie emerged in the 1970s in the pages of the New Yorker with a cast of post-grad characters who smoked pot, bummed around, fell in and out of relationships, and faced the world with a shrug and the latest rock and roll on the stereo.
Ann Beattie hasn’t been sleeping
By JON GARELICK  |  July 02, 2010
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One night, one jazz trifecta

True, there aren't enough paying gigs for musicians, but the live music is out there — and last Wednesday, I had to scramble to make three promising shows.
Taylor Eigsti, the October Trio, and the BC Quintet
By JON GARELICK  |  July 02, 2010

Dear Phoenix Readers

’Sup.
A word from the new editor
By CARLY CARIOLI  |  June 25, 2010
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Gone but not forgotten

Yes, True Blood has resumed, and Futurama and Weeds wait in the wings. But let's take a moment to hail The Tudors , which bows out this Sunday night at 9 after four seasons on Showtime.
Henry VIII and The Tudors bid adieu
By JON GARELICK  |  June 18, 2010
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Tony Cennamo (1933-2010)

Tony Cennamo is synonymous with jazz radio in Boston. A fixture on WBUR from the early '70s to his last late-night show in 1997, Cennamo — who died on June 8 — was lively, outspoken, even outrageous. But his depth of knowledge was irreproachable.
Boston jazz loses a great
By JON GARELICK  |  June 18, 2010
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Guitaristic

As guitar heroes go — even jazz guitar heroes — Ben Monder flies under the radar.
Ben Monder's unique space
By JON GARELICK  |  June 18, 2010
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Does jazz have a melody problem?

It seems lately that every other jazz musician I talk to under 40 wants to talk about melody — how it’s the thing they all care about.  
Phil Sargent and Daniel Bennett try a new approach
By JON GARELICK  |  June 04, 2010
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The Claudia Quintet | Royal Toast

Although it’s led by a drummer, the Claudia Quintet is not necessarily about groove.
Cuneiform (2010)
By JON GARELICK  |  May 28, 2010
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Covering Lacy

For Josh Sinton, Steve Lacy stood out almost from the beginning.
A jazz master’s legacy finds traction
By JON GARELICK  |  May 21, 2010

5 x Lacy



By JON GARELICK  |  May 21, 2010
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Complete control

Let’s put aside for now the philosophical questions about a player/composer’s need for control, and whether there’s any qualitative difference between the music said player/composer writes for himself and what he writes for himself with other people, or
Pat Metheny, live at the Orpheum Theatre, May 20, 2010
By JON GARELICK  |  May 21, 2010
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Pat Metheny | Orchestrion

The “orchestrion” is a Rube Goldberg-like contraption that empowers Metheny in one-man-band format to trigger a variety of percussion and other instruments as he plays guitar.
Nonesuch (2010)
By JON GARELICK  |  May 14, 2010
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Amazing grace

The morning after I get back from the 41st annual New Orleans Jazz & Heritage Festival, an oil executive is on the radio: “We’re throwing everything we have at it.” Meaning the exploded BP-leased well in the Gulf of Mexico, 50 miles off the coast of
The New Orleans Jazz & Heritage Festival carries on
By JON GARELICK  |  May 07, 2010
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The onliest Sonny

Sonny Rollins has held the unofficial title of world’s greatest living improviser at least since the early ’70s, following the death of John Coltrane and the second of two extended Rollins sabbaticals from public performance.
Rollins looks at 80
By JON GARELICK  |  April 09, 2010
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Extremeties

You can experience jazz at two different extremes at the Regattabar this month, in visits from the quintets of Dave Holland and Tomasz Stanko.
Dave Holland and Tomasz Stanko come to town
By JON GARELICK  |  April 09, 2010
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Ralph Towner/Paolo Fresu | Chiaroscuro

For some, these open, airy, acoustic guitar/trumpet duets, couched in typically pristine ECM production, will fall too easily on the ear.
ECM (2010)
By JON GARELICK  |  March 19, 2010
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Sonny, Pat, and all the cats

The primo jazz event of the spring will be SONNY ROLLINS 's concert at Symphony Hall on April 18 (bso.org). The great master saxophonist and peerless improviser often hits town in April, and this time it's to kick off his 80th-birthday tour. Whew.
Names you know and names you should
By JON GARELICK  |  March 12, 2010
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Message points

Instrumental music isn't very dependable at conveying specific non-musical subject matter.
Christian Scott's political science, Anita Coelho's connections
By JON GARELICK  |  March 12, 2010
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Jew note

Defining "Jewish" music is pretty much a fool's task — not much easier than defining jazz.
First Annual Boston Jewish Music Festival, plus the Klezmatics
By JON GARELICK  |  February 26, 2010
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Netsky notes

Hankus Netsky founded the Klezmer Conservatory Band 30 years ago at New England Conservatory and sparked an American klezmer revival that continues to this day.
The KCB's main man talks Klezmer
By JON GARELICK  |  February 26, 2010
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Lionel Loueke | Mwaliko

Benin-born, Paris-and-Berklee-educated guitarist Loueke knows how to cover a lot of ground and make it all sound of a piece.
Blue Note (2010)
By JON GARELICK  |  February 19, 2010
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No connections

There's very little connecting these two shows except that both were jazz and both took place on the same night. So I won't try.
Assaf Kehati Quartet at the Regattabar, Hiromi at Scullers, February 5, 2010
By JON GARELICK  |  February 12, 2010
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Steampunk and Lima Beans

The hook for Darcy James Argue's Secret Society — who come to the Regattabar Thursday the 25th — is that they're a "steampunk big band."
Darcy James Argue's Secret Society and the Bert Seager Trio
By JON GARELICK  |  February 12, 2010
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Myra Melford’s Be Bread | The Whole Tree Gone

Few jazz players and composers can bring as broad a vocabulary to a single piece as pianist Myra Melford.
Firehouse 12 (2010)
By JON GARELICK  |  February 05, 2010

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