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Man on a Ledge - Review

Review: Man on a Ledge

Pablo F. Fenjves might not be Sidney Lumet, but his clever if absurd heist film does acknowledge its debt to the late, politically inclined director's Dog Day Afternoon .
Clever if absurd heist film
By PETER KEOUGH  |  January 27, 2012
Review - The Grey

Review: The Grey

At the center of this superior stranded-men-picked-off-by-external-threat thriller is Ottway, an anguished loner powerfully played by Liam Neeson.
Man vs. wolves
By BETSY SHERMAN  |  January 27, 2012
Review - A Separation

Review: A Separation

Somehow, despite an increasingly repressive regime that has jailed many prominent filmmakers, including the world renowned auteur Jafar Panahi, Iranian cinema continues to produce some of the world's subtlest and most illuminating films about the relati
Family drama
By PETER KEOUGH  |  January 27, 2012
Short Take - Albert Nobbs

Review: Albert Nobbs

Lesbianism doesn't exist as a cogent category in 19th century Ireland, which could explain why Albert Nobbs (Glenn Close), a woman disguised for years as a man and employed as a Dublin waiter, has no personal understanding of who she is, her identity, o
Gender identity crisis
By GERALD PEARY  |  January 27, 2012
Underworld - Awakening

Review: Underworld: Awakening

The Underworld series got long in the tooth early, but here, in the fourth installment (directed by Swede Måns Mårlind), it grows new fangs.
Brief but bloody
By TOM MEEK  |  January 27, 2012
Review - Miss Bala

Review: Miss Bala

Gerardo Naranjo's superb new feature, Miss Bala , brilliantly draws on the conflicted personality of a young beauty pageant contestant as a tragically stark emblem of Mexico's all-enveloping drug wars.
Gerardo Naranjo's superb new feature
By PATRICK Z. MCGAVIN  |  January 27, 2012


Preview - Haywire

Review: Haywire

Despite some thrilling combat choreography executed with flair by MMA champ Gina Carano, Steven Soderbergh clearly phoned it in here. The barely-there plot involves Mallory (Carano), a double-crossed Black Ops agent who goes rogue in an uninteresting se
Soderbergh phones it in
By THOMAS PAGE MCBEE  |  January 27, 2012
Red Tails - Short takes

Review: Red Tails

With a title that refers not to squirrels but to plane markings, Red Tails dramatizes the struggles and triumphs of African-American pioneers, the Tuskegee Airmen.
The struggles and triumphs of the Tuskegee Airmen
By BETSY SHERMAN  |  January 27, 2012
Crazy Horse - preview

Review: Crazy Horse

In La Danse — The Paris Opera Ballet , Frederick Wiseman looked behind the scenes at a revered dance institution. In his new documentary he examines a dance institution of a different sort, the cabaret bar of the title, a Parisian pop-cultural icon a
Wiseman behind the scenes at a revered dance institution
By PETER KEOUGH  |  January 27, 2012
Movies: We Bought A Zoo

Review: We Bought A Zoo(1)

Matt Damon plays Mee, a journalist who decides that he and his daughter (a precocious Maggie Elizabeth Jones) and sullen teenage son (Colin Ford) need a new start after the death of his wife, so he spends his life savings on a house in the country.
Cameron Crowe's film version of Benjamin Mee's memoir
By BRETT MICHEL  |  December 23, 2011
Short Takes: The Artist

Review: The Artist(1)

The advent of talking pictures sends a screen idol into both a career nosedive and an identity crisis in Michel Hazanavicius's flashback to Hollywood's transitional period of the late '20s.
Michel Hazanavicius's flashback to '20s-era Hollywood
By BETSY SHERMAN  |  December 23, 2011


Short Take: War Horse

Review: War Horse(1)

War Horse is corny, sentimental, overlong, but also spectacular at times, even stirring.
A veritable, old-fashioned story
By GERALD PEARY  |  December 23, 2011
Short Take: The Girl With the Dragon Tattoo

Review: The Girl With The Dragon Tattoo

Unfortunately, Fincher doesn't add much to Niels Arden Oplev's Swedish version: more Googling and plot-compressing montages and an altered but still convoluted ending.
Flamboyantly grisly sex crimes
By PETER KEOUGH  |  December 23, 2011
Short Take: The Adventures of Tintin

Review: The Adventures of Tintin(1)

I don't know how fans of the title hero are going to take this adaptation, since I'm not familiar with the classic Hergé comic strip on which it's based, but followers of Steven Spielberg might regard it as a second-rate, animated Indiana Jones.
Spielberg's second-rate animated Indiana Jones
By PETER KEOUGH  |  December 23, 2011
Short Takes: Mission: Impossible -- Ghost Protocol

Review: Mission: Impossible – Ghost Protocol

Impossible Missions Force agent Ethan Hunt (Tom Cruise) returns to the screen in dramatic fashion as new teammate Jane (Paula Patton) and the returning Benji (Simon Pegg) break him out of a Russian prison.
Worthy of an IMAX screen
By BRETT MICHEL  |  December 23, 2011
Review: A Dangerous Method

Review: A Dangerous Method(1)

Perhaps the three characters in David Cronenberg's handsome, eloquent dramatization of the birth and near demise of psychoanalysis represent the parts of the psyche that the movement would eventually hypothesize.
Cronenberg's dramatization of the rise of psychoanalysis
By PETER KEOUGH  |  December 23, 2011


Review: New Year's Eve

Review: New Year's Eve

Lately Garry Marshall has shown a certain genius for turning miserable holidays into terrible movies.
Feast of forced fun
By PETER KEOUGH  |  December 09, 2011
Outrage: Review

Review: Outrage

When it comes to ruthlessness, the yakuzas in Takeshi Kitano's slick bloodbath make the Corleones look like the Brady Bunch.
Ruthless yakuzas
By PETER KEOUGH  |  December 09, 2011
Weekend: Review

Review: Weekend

Among the world's masterpieces of misanthropy, Jean-Luc Godard's 1967 opus follows a loathsome, greedy, sexually perverse bourgeois married couple on a weekend jaunt into the French countryside during which they plan to murder the wife's dying father,
Jean-Luc Godard's 1967 opus
By GERALD PEARY  |  December 09, 2011
From the Back of the Room: Review

Review: From the Back of the Room

Chronicling the past 30 years of women in DIY punk, Amy Oden's documentary deconstructs the myth that punk is an ideal world free of gender prejudices.
Amy Oden's documentary about sexism in the punk rock community
By LIZ PELLY  |  December 09, 2011
The Color Wheel: Review

Review: The Color Wheel

Alex Ross Perry's self-consciously coy indulgence reminds me of the work of Diablo Cody, but slighter and more irritating.
A black-and-white road movie
By PETER KEOUGH  |  December 02, 2011


Johnny English

Review: Johnny English Reborn

Like 2007's underrated Mr. Bean's Holiday, Johnny English Reborn, directed by Oliver Parker, improves on its unwatchable predecessor.
A small improvement
By ANN LEWINSON  |  October 21, 2011