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Guerilla Opera's Loose, Wet, Perforated

Australian born, Harvard-educated Nicholas Vines is a compellingly original composer, and his new Loose, Wet, Perforated (through September 25) is full of fascinating music.
Huh?
By LLOYD SCHWARTZ  |  September 23, 2011
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In the swim

My head’s swimming.
Guerilla Opera, von Stade’s farewell, the BSO, Handel and Haydn, the BPO, and that Tosca
By LLOYD SCHWARTZ  |  October 16, 2009
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Puccini goes punk

Perched on the lid of a lace-draped baby grand, a bobblehead quivers along with Christine Teeters's vibrato as she powers through a Tuesday-night voice lesson in the Steinway Piano Building on Boylston Street.
Faced with diminishing mainstream opportunities, Boston's young opera singers are going small and making the repertoire their own
By SARA FAITH ALTERMAN  |  January 21, 2009
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On (and off) track

It’s an expensive, elegant set, a lovingly detailed theatrical reproduction of railway cars on the Orient Express, the famous train connecting Paris and Istanbul.

Boston Lyric Opera’s Seraglio, BU’s Barbiere di Siviglia, Andy Vores’s No Exit, the BPO’s Bartók and Brahms


By LLOYD SCHWARTZ  |  April 29, 2008