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Thesis defense

Encompassing a broad range of themes, media, and levels of participation, each set of works in this year’s Maine College of Art exhibition by nine thesis-level Master’s of Fine Arts students achieves its own world and requires a separate toolkit to proce
 MECA’s MFA students strut their stuff
By NICHOLAS SCHROEDER  |  May 28, 2010
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An expanding world

Housed in two galleries at the Bowdoin College Museum of Art, “Methods for Modernism: Form and Color in American Art, 1900 to 1925” presents a healthy survey of works by artists featured in the two most definitive venues for introducing European modernis
Americans look at European modernism
By ANNIE LARMON  |  May 07, 2010
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Ye gods!

Much beautiful music turns up in the 18th-century operatic form that’s probably most alien to a modern audience.
BLO’s Idomeneo, BU’s Susannah, Garfein’s Rosencrantz and Guildenstern, Zander’s Stravinsky, and Pollini’s Chopin
By LLOYD SCHWARTZ  |  April 30, 2010
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All you need is love

Outpourings of love have been flooding the Boston musical scene.
Marylou Speaker Churchill memorial, Emmanuel Music’s Haydn/Schoenberg, and more
By LLOYD SCHWARTZ  |  April 23, 2010
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Conductor karaoke

Surrealists who work with movement have to manage a demanding slight-of-hand.
Xavier Le Roy at the ICA
By DEBRA CASH  |  April 09, 2010
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What's new

The timely highlight of Gil Rose’s latest BMOP (Boston Modern Orchestra Project) concert, “Strings Attached,” was a new/old piece (2004, revised 2009) for two string orchestras by Scott Wheeler now called Crazy Weather — the new title taken from a John
BMOP, and the Christian Wolff festival
By LLOYD SCHWARTZ  |  March 26, 2010


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The good old days

As if it weren’t enough that the venerable Paramount Theatre on Washington Street was open for the first time since 1976, the Celebrity Series of Boston brought in as the initial act to play the new 600-seat mainstage Max Raabe and his Palast Orchester.
Max Raabe & Palast Orchester, live at the Paramount Theatre, March 6, 2010
By JEFFREY GANTZ  |  March 12, 2010
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Interview: Max Raabe

"It was so crazy in the '20s, in the Weimar Republic. Everything was so open-minded and wide, and that is why I love that period so much."
Killer cabaret: bringing Berlin to Boston
By JEFFREY GANTZ  |  March 05, 2010
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Old masters

Last month, students at Boston Conservatory and Boston University paid tribute to two notables of modern dance's second generation in the best possible way: by performing their work.
Anna Sokolow and Joseph Gifford
By MARCIA B. SIEGEL  |  March 05, 2010
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Subject bias

"Objects of Wonder" is a mixed bag of a show, which is what it sets out to be.
Still lifes focus on the details at the PMA
By KEN GREENLEAF  |  February 26, 2010
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Stopping time

BSO music director James Levine has returned to Symphony Hall for the first time since October, when back surgery put him out of commission.
The BSO, Peter Maxwell Davies, BCMS, BMOP, Mark Morris, and Christian Tetzlaff
By LLOYD SCHWARTZ  |  February 05, 2010