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Newton's New Art Center exposes heavy metal from within
Named for a Candlemass song, staged in a former church, and curated by a pair of noise-loving MassArt grads, the upcoming group show "We Still See the Black" brings a thunderous charge of wrathful, subtle, beguiling, and teeming contemporary art to Newto
The black art
| August 26, 2011
Emily Klass at Craftland; China Blue at Newport Art Museum
The main motif of Emily Klass's pen and black ink drawings is circles.
| August 12, 2011
Review: Three artists converge at Bates
Drawings by Andrea Sulzer, Alison Hildreth, and Amy Stacey Curtis do not have much in common visually as they range from colorful exuberance to thoughtful layering of imagery to repetitive mark making.
Drawing on chaos + order
| July 01, 2011
The return of Tomi Ungerer
Last week, the children's book artist Tomi Ungerer returned to America for the first time in over a decade.
| June 24, 2011
The man in the yellow fur coat
The cultural critic Mark Dery worked as a clerk for Manhattan's Gotham Book Mart in the early '80s. One afternoon, he was taken by surprise.
As the Boston Athenaeum stages an Edward Gorey retrospective, his biographer reflects on the artist's lasting legacy
| February 04, 2011
Widely considered to be one of the most influential sculptors in the formation of British and international modernism, Henry Moore (1898-1986) drew from classical traditions, surrealism, and primitivism in his obsession with capturing the female form in
Drawings illustrate Moore's varied influences
| August 06, 2010
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