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boston baroque

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Boston Baroque’s Partenope, plus Discovery Ensemble

Martin Pearlman's Boston Baroque, "America's First Period-Instrument Orchestra," kicked off its new season at Jordan Hall with what is probably the first Boston performance of a work from the height of Handel's career.

By LLOYD SCHWARTZ  |  October 26, 2012
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BLO’s Barber of Seville; plus Eschenbach leads the BSO, Boston Baroque’s Mozart, and the Yiddish songs of Lazar Weiner

In his program note for the Boston Lyric Opera production of Rossini's effervescent The Barber of Seville (Shubert Theatre, through March 18), music director David Angus asks us to listen extra carefully to this irresistible score, however familiar it
Cutting it close
By LLOYD SCHWARTZ  |  March 16, 2012
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Boston Baroque's Rameau, Opera Boston's Donizetti, BSO's Berlioz, the Met's new Walküre

As the season wound down, one of the most applauded concerts was Boston Baroque's semi-staged version of Jean-Philippe Rameau's early 18th-century extravaganza, the "opéra-ballet" Les Indes galantes (roughly, "The Romantic Indies").    
  Something old, something new
By LLOYD SCHWARTZ  |  May 27, 2011
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Handel from BLO and the Cecilia, musicals at the conservatories, and Teatro Lirico's farewell

Boston Lyric Opera is presenting (at the Shubert Theatre through March 22) Handel's first hit opera, Agrippina, a black comedy about ruthless power, lust, and the shreds of nobility. Anyone who still thinks Handel is unrelievedly solemn should rush to th
Play on
By LOYD SCHWARTZ  |  March 18, 2011
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Fall Classical Preview: The power of music

Here’s my Top 10 list, in chronological order, of some of the season’s most appealing and important classical music events: symphonies, chamber music, operas.
 And, we hope, the good health of James Levine
By LLOYD SCHWARTZ  |  September 17, 2010
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Blythe spirit

Leaving the Cutler Majestic after the opening night of Opera Boston’s latest Offenbach, La Grande-Duchesse de Gérolstein , you could see the smiling faces of an audience that had had a good time.
Opera Boston’s Offenbach, Thomas Quasthoff, the BSO, Boston Baroque, and BU’s Sondheim
By LLOYD SCHWARTZ  |  May 14, 2010


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Bach beat

Composers John Harbison and Peter Lieberson are big presences this spring.
Lions and lambs
By LLOYD SCHWARTZ  |  March 12, 2010
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Heaven!

Martin Pearlman's edition of Monteverdi's Vespro della Beate Vergine, with inserted antiphons to suggest an actual service, remains a masterpiece of historical research and inspired guesswork.
The BSO and Boston Baroque at their best
By LLOYD SCHWARTZ  |  February 26, 2010
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John Harbison plus 10

Classical music in Boston is so rich, having to pick 10 special events for this winter preview is more like one-tenth of the performances I'm actually looking forward to.
Picking from a packed concert schedule
By LLOYD SCHWARTZ  |  January 01, 2010
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Blessings: mixed and otherwise

By odd coincidence, in recent weeks we’ve had performances of two important operatic rarities, landmark early works a century apart: 30-year-old Handel’s Amadigi (1715) and 20-year-old Rossini’s Tancredi (1813, his 10th opera!).
Boston Baroque’s Amadigi; Opera Boston’s Tancredi; the BSO’s Beethoven; the Borromeo’s Bartók; Brahms from BCMS and BSOCP
By LLOYD SCHWARTZ  |  October 30, 2009
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Baroque and beyond

Ten-best lists usually come at the end of the season, but this year the Phoenix has asked its critics to provide a calendar of 10 events that, at least on paper, might wind up on an end-of-season Top 10. Boston, in case you didn't know it, is a great
Betting on the best this fall
By LLOYD SCHWARTZ  |  September 18, 2009


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Contertizing

Boston Lyric Opera follows up Dvorák’s moonstruck Rusalka, with Christopher Schaldebrand in the title role of Mozart’s Don Giovanni, the BSO and much more.
From Don Giovanni’s hell to Haydn’s Creation
By LLOYD SCHWARTZ  |  March 17, 2009
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Pilgrimage

Charles Ives's Fourth Symphony is a stunner. And Boston Symphony Orchestra guest conductor Alan Gilbert, the New York Philharmonic's music director designate led a stunning performance.
Alan Gilbert with the BSO, plus Collage New Music, Boston Baroque, and Teatro Lirico d'Europa
By LLOYD SCHWARTZ  |  March 10, 2009
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‘A miracle!’

“Deep, tough, devout — and in church! It’s a miracle!”
Emmanuel’s memorial for Craig Smith, plus Russell Sherman’s Bach, the Royal Concertgebouw, and Handel’s Semele
By LLOYD SCHWARTZ  |  February 05, 2008