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Splendor on the screen

The arc of Elia Kazan's professional life has its origins in the Group Theatre, where he was trained as an actor and performed in the original 1930s productions of Clifford Odets's Waiting for Lefty and Golden Boy .
Elia Kazan at the HFA
By STEVE VINEBERG  |  July 31, 2009
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Review: Whatever Works

It happens to everyone: getting old means getting more annoying. Those endearing little quirks degenerate into insufferable pathologies, the funny stories become less funny with repetition, and in general the same old self-depreciating ironies and obses
Look on Works and despair
By PETER KEOUGH  |  June 26, 2009
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Musical man

When holographic projection technology gets perfected, you can be sure that Mel Brooks’s The Producers will be one of the first holograms released.
Jason Simon ends his run in The Producers
By BILL RODRIGUEZ  |  April 08, 2008

BeloJo celebrates Black History Month

Is it just Phillipe & Jorge, but something seemed patently wrong, if not offensive, when the Urinal ran a headline on the top of its February 20 Vo Dilun section that read: “Black lawyer named to judicial panel.”
Carcieri appointment wins Casa Diablo approval
By PHILLIPE AND JORGE  |  February 21, 2007
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The Russians are coming

With one exception, the eight movies in the nifty “Cold War Cinema” series at the Harvard Film Archive are popular entertainments that treat the politics and sociology of the era in a variety of ways.
Cold War cinema at the HFA
By STEVE VINEBERG  |  January 30, 2007
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Eli Wallach talks on acting and actors

From the archives: Bill O'Reilly interviews Eli Wallach
From the archives: Bill O'Reilly interviews Eli Wallach
By BILL O'REILLY  |  February 05, 1974