On The Download
Outside The Frame
Food + Drink
On The Cheap
Bars and Drinking
Arts & Entertainment
Museums & Galleries
Big Fat Whale
Review: A Dangerous Method(1)
Perhaps the three characters in David Cronenberg's handsome, eloquent dramatization of the birth and near demise of psychoanalysis represent the parts of the psyche that the movement would eventually hypothesize.
Cronenberg's dramatization of the rise of psychoanalysis
| December 23, 2011
2009: The year in movies
As I looked over my list of the best movies of 2009, it suddenly struck me: where are all the women on screen?
Men behaving badly
| December 25, 2009
Review: The Road
John Hillcoat doesn't stray from Cormac McCarthy's Road For those who found the Coen Brothers' adaptation of Cormac McCarthy's No Country for Old Men too lighthearted, John Hillcoat's relentlessly faithful version of the author's post-apocalyptic Puli
No country for all men: John Hillcoat doesn't stray from Cormac McCarthy's Road
| November 27, 2009
We expected the vampires, the werewolves, the zombies, and the homicidal maniacs. Same thing with the android doubles, the alien abductors, the sexually abused pregnant teenager, the Apocalypse, and the post-Apocalypse. But kids' movies?
The outlook is still gloomy, but film finds time for childish things
| September 18, 2009
Ends of the earth
Now in its 20th incarnation, the Boston Jewish Film Festival is almost the oldest three-ring circus of its kind (San Francisco’s annual program got there first by nine years), and in that span we’ve seen the elusive idea of “Jewish film” become an instit
The 20th Boston Jewish Film Festival reaches deep and far
| November 04, 2008
From its shaky start, you’d think Appaloosa a first-time effort, but director/star Ed Harris already has Pollock to his credit.
A revisionist Western in the vein of Unforgiven
| October 02, 2008
A revisionist Western in the vein of Unforgiven , it plumbs the gray areas in black-and-white frontier justice.
Unexpected and rewarding despite conventional scenarios
| September 09, 2008
With pundits already reading political significance into summer blockbusters like The Dark Knight (“Is Batman a stand-in for George Bush? Discuss.”), the meatier movies of fall arrive not a moment too soon.
Films with a full agenda
| September 08, 2008
Country for gold men
All kinds of voting has been taking place lately — for presidential candidates, for union contracts, for Oscar nominees.
And Blood will out at the Oscars
| February 22, 2008
The Boston Phoenix–Alumni Film Critics’ Poll
It’s true, the Boston Phoenix has never won an Oscar.
Our first-ever round-up of the past year’s best movies, with a little help from our friends
| February 13, 2008
Are we grading on a curve?
It’s a solid B, which isn’t bad considering the vagaries of the Academy of Motion Pictures Arts & Sciences.
Peter Keough’s Oscar Scorecard
| January 23, 2008
The Oscars go to Hell
Maybe it’s just as well if the writers’ strike forces a cancellation of the Oscars show.
The Devil knows what the nominations will be for this year’s Oscars
| January 18, 2008
“Not radical,” he replied. “I’d say ‘the truth.’ ”
Zinn's people's history comes to life, and song
| January 15, 2008
Silver linings on a dark screen
The best films of 2007 hold their own when it comes to despair, evil, and treachery.
Film: 2007 in review
| December 18, 2007
Eastern Promises begins with uncanny images of birth and death, equally raw and bloody.
David Cronenberg revises History
| September 12, 2007
See more deals
Copyright © 2015 Phoenix Media/Communications Group. All Rights Reserved.
Advertise With Us
Work For Us