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Viggo Mortensen

Latest Articles

Review: A Dangerous Method

Review: A Dangerous Method(1)

Perhaps the three characters in David Cronenberg's handsome, eloquent dramatization of the birth and near demise of psychoanalysis represent the parts of the psyche that the movement would eventually hypothesize.
Cronenberg's dramatization of the rise of psychoanalysis
By PETER KEOUGH  |  December 23, 2011
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2009: The year in movies

As I looked over my list of the best movies of 2009, it suddenly struck me: where are all the women on screen?
Men behaving badly
By PETER KEOUGH  |  December 25, 2009
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Review: The Road

John Hillcoat doesn't stray from Cormac McCarthy's Road For those who found the Coen Brothers' adaptation of Cormac McCarthy's No Country for Old Men too lighthearted, John Hillcoat's relentlessly faithful version of the author's post-apocalyptic Puli
No country for all men: John Hillcoat doesn't stray from Cormac McCarthy's Road
By PETER KEOUGH  |  November 27, 2009
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October lite

We expected the vampires, the werewolves, the zombies, and the homicidal maniacs. Same thing with the android doubles, the alien abductors, the sexually abused pregnant teenager, the Apocalypse, and the post-Apocalypse. But kids' movies?
The outlook is still gloomy, but film finds time for childish things
By PETER KEOUGH  |  September 18, 2009
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Ends of the earth

Now in its 20th incarnation, the Boston Jewish Film Festival is almost the oldest three-ring circus of its kind (San Francisco’s annual program got there first by nine years), and in that span we’ve seen the elusive idea of “Jewish film” become an instit
The 20th Boston Jewish Film Festival reaches deep and far
By MICHAEL ATKINSON  |  November 04, 2008
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Appaloosa (2008)

From its shaky start, you’d think Appaloosa a first-time effort, but director/star Ed Harris already has Pollock to his credit.  
A revisionist Western in the vein of Unforgiven
By TOM MEEK  |  October 02, 2008


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Appaloosa

A revisionist Western in the vein of Unforgiven , it plumbs the gray areas in black-and-white frontier justice.
Unexpected and rewarding despite conventional scenarios
By TOM MEEK  |  September 09, 2008
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Autumn peeves

With pundits already reading political significance into summer blockbusters like The Dark Knight (“Is Batman a stand-in for George Bush? Discuss.”), the meatier movies of fall arrive not a moment too soon.
Films with a full agenda
By PETER KEOUGH  |  September 08, 2008
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Country for gold men

All kinds of voting has been taking place lately — for presidential candidates, for union contracts, for Oscar nominees.
And Blood will out at the Oscars  
By PETER KEOUGH  |  February 22, 2008
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The Boston Phoenix–Alumni Film Critics’ Poll

It’s true, the Boston Phoenix has never won an Oscar.
Our first-ever round-up of the past year’s best movies, with a little help from our friends
By PHOENIX STAFF  |  February 13, 2008
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Are we grading on a curve?

It’s a solid B, which isn’t bad considering the vagaries of the Academy of Motion Pictures Arts & Sciences.
Peter Keough’s Oscar Scorecard
By PHOENIX STAFF  |  January 23, 2008


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The Oscars go to Hell

Maybe it’s just as well if the writers’ strike forces a cancellation of the Oscars show.
The Devil knows what the nominations will be for this year’s Oscars
By PETER KEOUGH  |  January 18, 2008
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History rocks

“Not radical,” he replied. “I’d say ‘the truth.’ ”
Zinn's people's history comes to life, and song
By JIM SULLIVAN  |  January 15, 2008
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Silver linings on a dark screen

The best films of 2007 hold their own when it comes to despair, evil, and treachery.
Film: 2007 in review
By PETER KEOUGH  |  December 18, 2007
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Promises kept

Eastern Promises begins with uncanny images of birth and death, equally raw and bloody.
David Cronenberg revises History
By PETER KEOUGH  |  September 12, 2007