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Tommy Neblett

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Blood, bone, and mirrors

At the beginning of Between Blood & Bone , a man and a woman stand at opposite sides of an empty space. A few minutes or a lifetime later, they're curled together on the floor, wrapped in the tightest possible embrace.
Prometheus at the ICA
By MARCIA B. SIEGEL  |  May 22, 2009
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What's left behind

Tap Olé is less a new-fangled bicultural fusion than a return to tap dancing’s foundational swingtime.
Tap Olé at the Regent, Rachid Ouramdane at the ICA, Prometheus at Boston Conservatory
By DEBRA CASH  |  May 21, 2008
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Ebb and flow

The good news is that we still have our own major company, Boston Ballet, and it made its first international tour — to Spain — in more than a decade.
Dance: 2007 in review
By JEFFREY GANTZ  |  December 17, 2007
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Busy busy

“If you pulled the cord and the chute didn’t open, how would you dance on the way down?”
Something for everyone
By DEBRA CASH  |  September 12, 2007
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Grief work

From dance to dance, they shared a movement vocabulary that suggested pain, struggle, solace, and submission to unseen but unbreakable constraints.
Prometheus's 'Devil's Wedding'
By MARCIA B. SIEGEL  |  May 29, 2007
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Contact points

Diane Arvanites-Noya and Tommy Neblett’s new duet seemed to be a philosophical model for the other new works on the program.
Prometheus’s spring revels
By MARCIA B. SIEGEL  |  June 02, 2006