Thomas Ades

Latest Articles


Lorca without Lorca

Is it possible for a work of art to seem both completely sincere in its intentions and at the same time counterfeit and manipulative?
Opera Boston’s Ainadamar, plus Ida Haendel, the BSO, and West Side Story
By LLOYD SCHWARTZ  |  October 30, 2007

Rise and fall

With its production of the Kurt Weill/Bertolt Brecht Aufstieg und Fall der Stadt Mahagonny, Opera Boston consolidates its position as this city’s most exciting opera company.
Opera Boston does Mahagonny; the BSO and the Boston Philharmonic do Sibelius
By LLOYD SCHWARTZ  |  March 13, 2007

From Knoxville to Swan Lake and back

As our most prestigious classical-music institution, the Boston Symphony Orchestra ought to be every year’s headliner, and once again, under the adventuresome direction of James Levine, it is.
A chock-full season of classical music
By LLOYD SCHWARTZ  |  September 13, 2006

Opera, opera, opera

Every performance at Santa Fe was packed, and few subscribers left unhappy.
At Santa Fe and Tanglewood and in New York
By LLOYD SCHWARTZ  |  August 15, 2006

Some angels

Congratulations are again in order to Opera Unlimited, this time for bringing to Boston the American premiere of Peter Eötvös’s attempt to make an opera out of Tony Kushner’s Angels in America .
Opera Unlimited does Tony Kushner, plus Elizabeth Keusch, Roger Tapping, Donal Fox, and John Harbison
By LLOYD SCHWARTZ  |  June 21, 2006