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Thelonious Monk

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Dominique Eade at Scullers

"I'm discontented with homes that I've rented/so I have invented my own," sang Dominque Eade slowly, over a simple bass accompaniment.
All about transparency
By JON GARELICK  |  February 10, 2012
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Jason Moran at Jordan Hall

I have to admit, I was not sanguine at the beginning of this highly anticipated concert by pianist and composer Jason Moran.
"In My Mind"
By JON GARELICK  |  February 03, 2012
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Poetic chaos

The melodic noise collective known as A Troop of Echoes will unveil their full-length debut Days In Automation next weekend at AS220, hosting their album release party alongside an impressive gathering of local support.
A Troop of Echoes spend Days In Automation
By CHRIS CONTI  |  May 21, 2010
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Covering Lacy

For Josh Sinton, Steve Lacy stood out almost from the beginning.
A jazz master’s legacy finds traction
By JON GARELICK  |  May 21, 2010

Radical night out in Portland

“People are upset about Guantánamo and Abu Ghraib,” Noam Chomsky told 750 people packed into the Woodfords Congregational Church last Saturday night, “but if you’re concerned about human rights, take a walk into a maximum-security prison.”
 Activism Optimism
By LANCE TAPLEY  |  April 30, 2010
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Review; Fred Hersch at Jordan Hall

Photos from Fred Hersch's set at Jordan Hall
Fred Hersch, live at Jordan Hall, February 17, 2010
By JON GARELICK  |  February 26, 2010


A wake-up call

Some months back, Judge Richard Posner, a prolific author and longtime leading figure in the laissez-faire-oriented Chicago school of economics published his latest tome, a little bit of conservative heresy titled A Failure of Capitalism .
Ranting about money and media; musical musings; and notes from the road
By PHILLIPE AND JORGE  |  January 29, 2010
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2009: The year in jazz

Here, in no particular order, are some of my favorite things from among the people, CDs, and concerts I wrote about in 2009.
In and out
By JON GARELICK  |  December 25, 2009
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Concertizing

When I reach John Hollenbeck by phone, he's on a sojourn typical of the modern itinerant composer — a week-long teaching residency.
John Hollenbeck plays New Year's Eve! Plus, the Rempis/Rosaly duo
By JON GARELICK  |  December 18, 2009
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Getting the story

Full-length written histories of jazz can be a slog. Especially since "the story of jazz" (as critic Marshall Stearns titled his 1956 tome) only gets longer and more complicated. Personally, on these prose-narrative trips along the New Orleans–New York
Gary Giddins and Scott DeVeaux sing jazz's many strains
By JON GARELICK  |  December 04, 2009
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Teachers and students

Several of this fall's promising jazz performances are clustered around the week of October 18. That marks the 40th-anniversary celebration of the jazz-studies program at New England Conservatory, which, created by Gunther Schuller, established NEC as
NEC and Berklee set the jazz stage
By JON GARELICK  |  September 18, 2009


Gubernatorial agonistes

On Tuesday, WRNI political reporter and former Phoenix news editor and master of the Casa Diablo elbow bend, Ian Donnis, broke the news that veteran political communications specialist, Bill Fischer, head ramrod at True North Communications, had sign
Caprio makes a big move. Plus, reasons to block the LNG terminal
By PHILLIPE & JORGE  |  August 07, 2009
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Meet the Beatles!

Swallow says that when he first picked up an electric bass, "My immediate impression was: 'Oh, shit! I'm in deep trouble here!' "
The Gary Burton Quartet remembers its roots
By JON GARELICK  |  June 19, 2009
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Gabba gabba hayride

Punks in the know will tell you that the club where the music started, CBGB, is an acronym for “country, bluegrass, and blues.”
Tommy Ramone’s roots show in Uncle Monk
By STEVEN BEEBER  |  July 07, 2008
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A whole new rush

You are obviously not a brilliant musician who appreciates the grand gifts that Rush displays.
Dr. Lovemonkey
By DR. LOVEMONKEY  |  February 28, 2008
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In action

In the era of YouTube, we’re apt to forget that not every note of music ever played has been captured on film or video.
The ‘Jazz Icons’ DVDs
By JEFF TAMARKIN  |  November 26, 2007


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Standards

For much of his life, no one played Thelonious Monk pieces except Thelonious Monk.
Julius Hemphill at the Gardner, Cyrus Plays Elvis
By JON GARELICK  |  October 23, 2007
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Three for the road

Maybe it’s Larry Klein’s world and the rest of us just live in it.
Herbie Hancock, Renee Rosnes, and Luciana Souza
By JON GARELICK  |  August 21, 2007
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Birds of a feather

What continues to make the JVC Jazz Festival at Newport so vital these days isn’t just the variety but the depth of the variety.
The jazz flocks gather at Newport
By JON GARELICK  |  August 15, 2007
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Fathers and son

It must be daunting to have Joshua Redman’s talent.
Joshua Redman goes East
By JON GARELICK  |  May 01, 2007
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The golden age

The University of Southern Maine’s School of Music celebrates a golden anniversary, with a performance featuring nearly 300 performers and two world premieres by Maine composers.
The USM School of Music celebrates 50 years
By BEN MEIKLEJOHN  |  April 25, 2007


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Making small bigger

Chamber music originated in the 17th and 18th centuries for nobles and aristocrats, written by personal house composers.
Upsizing the Portland Chamber Music Festival
By BEN MEIKLEJOHN  |  February 28, 2007
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Having more fun

By the time Car Wheels on a Gravel Road came out, Mary Chapin Carpenter, Emmylou Harris, and Tom Petty had all recorded Williams’s songs.
Lucinda Williams goes West
By MATT ASHARE  |  February 13, 2007
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Brother Thelonious Belgian Style Abbey Ale

They called him Melodious Thunk.
Not a bum note
By MIKE MILIARD  |  October 18, 2006
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The anxiety of influence

“I’m playing changes!” That’s what a young jazz-pianist acquaintance of mine announced exultantly to one of his musical buddies back in the early ’70s.
Tyner, Coltrane, Kenny Garrett, and Branford Marsalis
By JON GARELICK  |  September 26, 2006
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From Chicago to Addis

I know of no single, clear definition of “free bop,” but I think I know it when I hear it, and I’d say no one does it better than the Vandermark 5.
The Vandermark 5 and the Either/Orchestra bring it all back home
By JON GARELICK  |  February 09, 2006


E.S.T. at Scullers

Svensson has said that Radiohead and Wilco have been more of an influence than contemporary jazz on E.S.T.
Jazz On Ice
By JON GARELICK  |  January 30, 2006