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PMA show highlights MoMA’s influence
It's a peculiarly American irony that the same man who basically invented the advertising model for the business of broadcasting radio and later television would have amassed a significant collection of modernist art.
Defining the canon
| May 11, 2013
Kathryn Bigelow introduces her retrospective at MoMA
For the first woman ever to be awarded the Best Director Oscar, and who most recently has set out to make a film about the biggest triumph in the war against terror, the killing of Osama bin Laden, Kathryn Bigelow certainly is humble.
Bin there, done that
| June 10, 2011
Review: ''New Mythologies'' at Candita Clayton Studio
Two years ago I wrote that someone needs to put together a big local survey of Xander Marro's art. As far as I can tell it still hasn't happened.
Prickly pop art
| May 06, 2011
Review: The eye-popping vitality of 'Printed in Providence'
Providence printmaking continues to be the primary representative of the city's art in books from Street World (2007) to Paper Politics: Socially Engaged Printmaking Today (2009) to the Museum of Modern Art's Modern Women (2010). It's a printmakin
| February 25, 2011
10 exhibits that are worth another look
Here's our rundown of the best art of '10.
| December 24, 2010
They say Dr. Lakra got his pen name from the doctor’s bag he carried around when he first began tattooing, two decades ago. “Lakra” puns on the Spanish word “lacra,” meaning scar or blemish, but it’s also slang for “delinquent” or “scumbag.”
The inky delights of Dr. Lakra
| April 23, 2010
Birth of a museum
Nobody starts an art museum. Most of the art museums in America were founded in the later 19th century, when esthetics became part of the larger cultural language — the Portland Museum was started in 1882.
A push in Portsmouth
| March 05, 2010
Point of no return
Don DeLillo's novels have been shrinking, like a star collapsing into itself, perhaps, or vapor fading on a glass.
The end justifies the meaning in Don DeLillo's Omega
| March 05, 2010
In the 1930s and '40s, Boston painters developed a moody, mythic realism. They mixed social satire with depictions of street scenes, Biblical scenes, and mystical symbolic narratives, all of it darkened by the shadow of the Great Depression and World W
Boston Expressionism in context
| December 18, 2009
Wild about Harry
What I want to do — what most photographers want to do — is write Harry Callahan a love letter. At the very least, he deserves an elaborate thank-you note for innovating or validating 80 percent of the successful photographs we ever took.
Trailblazing along a narrow path
| December 11, 2009
At the end of August, the seven-month-old Massachusetts Creative Economy Council released its first report on the state of culture here.
GASP marks five years
| October 16, 2009
Trouble at the Newport Film Festival
For more than a decade, the Newport International Film Festival has been a highlight on the state's cultural calendar.
| September 25, 2009
Architecture of Heaven and Earth
Looking at the wavy roofs of Félix Candela's most iconic structures, like the restaurant Los Manatiales (1958) in Mexico City, I think of pinwheels or the fluttering dress of a spinning dancer.
Félix Candela's curves, Walter Gropius's boxes
| September 04, 2009
Places that are gone
It wasn't until the 1970s that O. Winston Link got noticed by the art world. The New Yorker had been a professional photographer since the 1930s, shooting publicity shots for an advertising firm before World War II and doing freelance commercial photog
O. Winston Link and Carmel Vitullo document an era
| August 07, 2009
Brave new RISD
The Rhode Island School of Design, for all its artful ambition, is a conservative place. Students draw. They mold clay. They are awash in taxidermy. So there was more than a little anxiety when John Maeda — sneaker designer, MIT professor, digital media
After a year at the helm, president John Maeda is balancing broad shifts in the worlds of art, design, and business
| May 29, 2009
Photographer Nicholas Nixon of Brookline first burst onto the scene in the show "New Topographics."
Photography by Nicholas Nixon and Joe Johnson
| April 24, 2009
Jamaica Plain's Laurel Sparks has become one of our best local abstract painters, as her new collection of bright, fun, juicy, abstracted chandeliers at Howard Yezerski Gallery attests.
Laurel Sparks at Yezerski, plus Julie Miller, Sheila Gallagher, Darren Foote, and Michael Ellis
| February 20, 2009
Interview: Art Spiegelman
"When you don't understand a painting, you assume you're stupid. When you don't understand a cartoon, you assume the cartoonist is stupid."
| November 13, 2008
War of independents
The IFFB is determined to wrest cinematic freedom from the imperial power of the Hollywood studios.
The Independent Film Festival of Boston fights for freedom of the screens
| April 22, 2008
Lines of inquiry
The idea of drawing has taken on great romance and importance since about the 1970s, when this originally humble cousin to Painting and Sculpture started to find its own footing in the world of contemporary art.
‘On Drawing’ at the New Art Center, Gateway Arts at Simmons, Jeff Koons at Harvard, and Jenny Saville at BU
| March 25, 2008
They’ve got issues
As newspapers and magazines slim and shift their focus to online content and revenue streams, it has become sadly commonplace to overlook the unique capabilities of periodically printed matter.
The bookworm’s gift that keeps on giving
| December 12, 2007
What was, and what might have been
Sara and Gerald Murphy are back, and in the words of their friend Cole Porter, “What a swell party it is.”
Sara and Gerald Murphy in Williamstown
| November 08, 2007
The Candy Man
Glittering piles of cheap candies are probably Cuban-born artist Félix González-Torres’s most iconic works.
Félix González-Torres at The Carpenter Center, Modern and Contemporary Chinese Ink Painting at the Sackler, and Chuck Close and Robert Storr at BU
| October 23, 2007
Seal of approval
Photographer Philip-Lorca diCorcia is a safe, easy choice for the new ICA’s first big artist retrospective.
The ICA plays it safe with Philip-Lorca diCorcia
| June 06, 2007
Thinking inside the box
Joseph Cornell was the quintessential odd duck.
Joseph Cornell in Salem
| April 24, 2007
“Fernand Léger: Contrasts of Forms” is a powerful contribution to our understanding of Léger’s role in the development of abstract art in the early 20th century.
Fernand Léger at the Fogg, ‘Encounters’ at the BCA, ‘War’ at the MFA and Pierre Menard Gallery
| April 03, 2007
An exile’s journey
Cuban artist María Magdalena Campos-Pons arrived at Boston’s Institute of Contemporary Art one December day in 1991.
María Magdalena Campos-Pons gets a retrospective in Indianapolis
| February 20, 2007
Must warn others
It’s a cliché of bad novels and late-night movies that scientists and artists represent two extreme — and mutually exclusive — poles of objectivity and subjectivity.
"It's Alive!" at Montserrat, "2007 North American Print Biennial" at 808 Gallery
| February 06, 2007
Playing with history
In February 1862, with the Civil War not yet a year old, Union forces took Fort Henry, a Confederate outpost on the Tennessee River, as they began to open up Southern waterways for supply lines.
Kara Walker's civil war
| January 30, 2007
Sex, Iraq, and pop culture
How many times a day do you think about sex? How many times a day do you think about the war in Iraq?
The war for our attention
| January 11, 2007
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