Susanne Nitter

Latest Articles


Parallel worlds

Playwright Karen Zacarias would seem to have taken long drafts of Tom Stoppard Elixir.
Legacy of Light at the Lyric; Not Enough Air from Nora; The Island of Slaves from Orfeo Group
By CAROLYN CLAY  |  February 19, 2010

Of myth and men

There is more pageantry than either Stalinism or Stoker in The Communist Dracula Pageant , Anne Washburn’s ambitious jumble of a Romanian-history play now in its world premiere from the American Repertory Theatre.  
The ART’s Communist Dracula Pageant ; the Publick’s Faith Healer
By CAROLYN CLAY  |  October 28, 2008

Killing grounds

Chekhov wrote to a friend while composing The Seagull , first of his Big Four, that he was writing a “comedy with three female parts, six male parts, four acts, a landscape (a view of the lake), much talk about literature, and five tons of love.”
The Seagull flies at the Publick; Company One knocks off Assassins
By CAROLYN CLAY  |  July 15, 2008


Truth is in the eye of the beholder in See What I Wanna See , Michael John LaChiusa’s musically lush riff on stories by Japanese writer Ryunosuke Akutagawa.
See What I Wanna See; Design for Living
By CAROLYN CLAY  |  January 09, 2007

Let’s get physical

Shakespeare’s super-dainty Kates become cannoli in The Taming of the Shrew on Boston Common.
The Taming of the Shrew on Boston Common; Copenhagen at the Publick
By CAROLYN CLAY  |  August 01, 2006