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Boston Ballet's 'Balanchine/Robbins,' plus a soupçon of tap

Boston Ballet is ending the season with four prime examples of ballet choreography, displaying not only the rigors of classical technique but the different kinds of images technique can be crafted to evoke.  
The pleasures of craft
By MARCIA B. SIEGEL  |  May 20, 2011

The Marinsky In Stravinsky

Live opera — at least, live opera from the Met — has been a huge success in movie theaters. (In Boston, the Fenway routinely sells out two screens.) What about not-quite-live dance?
Coolidge Corner Theatre | February 20, 2011
By JEFFREY GANTZ  |  February 25, 2011

Sing, sing, sing!

For opera lovers, the offerings last fall were at best a little thin. But this winter, it seems, everyone's doin' it.
Opera is this winter's warmer
By LLOYD SCHWARTZ  |  December 31, 2010

Ye gods!

Much beautiful music turns up in the 18th-century operatic form that’s probably most alien to a modern audience.
BLO’s Idomeneo, BU’s Susannah, Garfein’s Rosencrantz and Guildenstern, Zander’s Stravinsky, and Pollini’s Chopin
By LLOYD SCHWARTZ  |  April 30, 2010

John Harbison plus 10

Classical music in Boston is so rich, having to pick 10 special events for this winter preview is more like one-tenth of the performances I'm actually looking forward to.
Picking from a packed concert schedule
By LLOYD SCHWARTZ  |  January 01, 2010

Review: Bad Boy Made Good

If Igor Stravinsky’s Sacre du printemps paved the way for modern rock, then George Antheil’s Ballet mécanique made possible every genre of contemporary music with “noise” or “metal” in its name.
The revival of George Anthiel's 1924 Ballet méchanique
By JEFFREY GANTZ  |  November 06, 2009


He is a real composer

Joshua Newton wants you to know he doesn't write classical music.
And don't you try to tell Joshua Newton otherwise
By EMILY PARKHURST  |  October 09, 2009

Old and new

There was hardly a concert I was more eager to hear than the Celebrity Series of Boston’s celebration of pianist Leon Fleisher’s 80th birthday.  
Leon Fleisher at 80, Harry Christophers with the Handel and Haydn Society, André Previn and James Levine at the BSO
By LLOYD SCHWARTZ  |  October 16, 2008