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Stephenie Meyer

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Review: The Twilight Saga: Eclipse

No matter how many books she sells, no matter how many billions the movies make, no matter what significance her huge success has for the future of Western culture, there's no excuse for Stephenie Meyer's terrible writing.
Blood simpletons: Eclipse needs a transfusion
By PETER KEOUGH  |  July 02, 2010
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Voodoo economics

To paraphrase The Communist Manifesto , a specter is haunting Hollywood. Actually, two of them: zombies and vampires. The undead.
What vampire and zombie movies can tell us about the future of capitalism
By PETER KEOUGH  |  May 21, 2010
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October lite

We expected the vampires, the werewolves, the zombies, and the homicidal maniacs. Same thing with the android doubles, the alien abductors, the sexually abused pregnant teenager, the Apocalypse, and the post-Apocalypse. But kids' movies?
The outlook is still gloomy, but film finds time for childish things
By PETER KEOUGH  |  September 18, 2009
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The plots thicken

Eight years after the destruction of the World Trade Center — the result of one of the most devastatingly successful conspiracies in history — Americans still take comfort in paranoia.
9/11 Truthers, Tea Parties, Birthers — conspiracy is in the air. No wonder Hollywood is embracing paranoia.
By PETER KEOUGH  |  September 11, 2009
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Simple blood

Twilight puts the life back into the undead
Twilight puts the life back into the undead
By PETER KEOUGH  |  November 19, 2008
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Autumn peeves

With pundits already reading political significance into summer blockbusters like The Dark Knight (“Is Batman a stand-in for George Bush? Discuss.”), the meatier movies of fall arrive not a moment too soon.
Films with a full agenda
By PETER KEOUGH  |  September 08, 2008


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Blood sucks

With regard to this whole nouveau vampire thing, this revitalized appreciation for the undead, I should declare myself at the outset a more or less complete philistine.
HBO does the ‘Southern Vampire’
By JAMES PARKER  |  September 02, 2008