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Stephen Stubbs

Latest Articles

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Open spaces

In my review of the memorable Brahms performances Sir Simon Rattle led with the Berlin Philharmonic Orchestra for the Celebrity Series of Boston last month, I should have mentioned that one decision responsible for the beauty and spaciousness of the or
The BSO's Brahms, Ben Zander's Wagner, Collage New Music, and the BEMF's Handel
By LLOYD SCHWARTZ  |  December 04, 2009
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Springer vs. Nero!

Two opera productions overlapping at the Calderwood Pavilion exploit exploitation.
Monteverdi's Poppea opens the Boston Early Music Festival, plus the Cantata Singers, the Discovery Ensemble, and Barbara Cook at the Pops
By LLOYD SCHWARTZ  |  June 12, 2009
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Interview: Paul O'Dette and Stephen Stubbs

"Opera fans have often puzzled over the fact that Poppea  does not appear to have a character the audience wants to root for, since everyone has seriously objectionable traits."
The BEMF does Poppea
By JEFFREY GANTZ  |  May 29, 2009
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A song to sing, O!

Seiji Ozawa returns to the BSO, Boston Early Music Festival's 17th-century chamber operas, the Bostonians' Yeomen of the Guard
Seiji Ozawa returns to the BSO, Boston Early Music Festival's 17th-century chamber operas, the Bostonians' Yeomen of the Guard
By LLOYD SCHWARTZ  |  December 02, 2008
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Send in the clowns

Boston newcomers proved that even without scenery or traditional costumes, these operas can pack a wallop.
Chorus pro Musica’s verismo duo; the Boston Early Music Festival; and Carousel at the Pops
By LLOYD SCHWARTZ  |  June 19, 2007