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In the city
One of the distinguishing characteristics of the Providence art scene is how the city itself has been such a rich subject. A decade ago, the city became a galvanizing topic as artists fought to protect the old mills that served as their homes and studio
Neal Walsh and Scott Lapham at 186 Carpenter
| April 26, 2013
‘Hunters and Gatherers’ at Cade Tompkins Projects
The subject of the 10-artist survey "Hunters and Gatherers" at Cade Tompkins Projects (198 Hope Street, Providence, through March 31) is building art from recycled scraps.
Eye of the beholder
| March 02, 2012
Review: Leitzel and Billings at AS220; and ''Creative Collective''
In Marc Leitzel's sharply real scratchboard drawings in AS220's main gallery (115 Empire Street, Providence, through June 25), he depicts a tense moment between a couple in bed, a wind-blown woman wrapped in a cape, and a woman with tree branches and lea
Light and dark
| June 17, 2011
"Trash" at AS220's Project Space (93 Mathewson Street, Providence, through January 29) focuses on our love-hate relationship with garbage
‘Trash’ — and more — at AS220 and Project Space
| January 22, 2010
2009: Worth another look
The lousy economy hit home this year as Stairwell Gallery in Providence and Yes Gallery in Warren closed their doors.
The gallery highlights of 2009
| December 25, 2009
Photography has been New England’s greatest contribution to art of the past century.
‘Focus on Four’ is a sharp sampler
| October 30, 2009
It's not quite right to call "Do It! Show It! Sing It! Work It!" the AS220 biennial.
AS220’s ‘Do It! Show It! Sing It! Work It!,’ and Holly Ewald
| October 23, 2009
There is a golden formula in photography: photo plus time equals increasing allure. Old books and poetry, old television and movies can turn stilted, tedious. But photos seem to grow ever more compelling with age, even if the shots were boring when the
New pictures from old negatives at the PPL
| June 12, 2009
Liz Collins's Doll Cave at AS220's Project Space (93 Mathewson Street, Providence, through May 23) drapes the gallery with loosely-knit walls that look like spider webs or giant white granny shawls.
Spider webs and plastic baby dolls at AS220
| May 15, 2009
In 2004, AS220's StinkTank put out a paper titled "Compost and the Arts."
"NetWorks 2008" at AS220, 5 Traverse, and the NAM
| December 16, 2008
AS220’s exhibit “New Obstructions” is one of those right-on ideas that seem to come so naturally to the institution.
“New Obstructions” at AS220; “Trash” at 5 Traverse
| October 09, 2008
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