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Review: Seven Psychopaths

As in his debut In Bruges , Martin McDonagh here plays self-reflexive games while undermining the gangster genre.

By PETER KEOUGH  |  October 12, 2012
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Review: Cowboys & Aliens

As Dolarhyde, the cattle baron lording over the frontier town in Jon Favreau's pastiche of Western and sci-fi movies, Harrison Ford has the best lines. Like: "That's ridiculous!" — said when someone explains why Independence Day -like aliens are blasti
Favreau's pastiche of Western and sci-fi movies
By PETER KEOUGH  |  August 05, 2011
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Six Boston accents worthy of Oscar

Pahk the awahds in Hahvahd Yahd
Pahk the awahds in Hahvahd Yahd
By PETER KEOUGH  |  December 10, 2010
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Innocence lost, but not forgotten

In film, the demands of art and of history are often in conflict. The aptly-titled Conviction , opening this Friday in theaters, is the rare feature film that satisfies both demands.
Freedom watch
By HARVEY SILVERGLATE AND KYLE SMEALLIE  |  October 15, 2010
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Is the Boston Film Festival on the road to recovery?

In recent years, the Boston Film Festival has alternated between catastrophe and semi-revival.
Or is it flirting with disaster?
By PETER KEOUGH  |  September 10, 2010
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Bristol’s crusading lawyer goes Hollywood

If you haven’t heard of Betty Anne Waters, the Bristol pub owner and single mother of two who put herself through college and law school in a nearly three-decade crusade to overturn her brother’s murder conviction, you will soon.
Exoneration
By ELIZABETH RAU  |  July 16, 2010


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Review: Iron Man 2

Maybe I’m just relieved that it wasn’t in 3-D, or maybe actor Justin Theroux (frequent David Lynch collaborator and co-scripter of Tropic Thunder ) is just a better writer than the law firm of scribes that pasted together the original, but Jon Favreau’s
Stark alternatives
By PETER KEOUGH  |  May 07, 2010
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Review: Everybody's Fine

You'll be forgiven if you mistake Robert De Niro's face for Robert Young's next to Kate Beckinsale's, Drew Barrymore's, and Sam Rockwell's on the poster for Kirk ( Waking Ned Devine ) Jones's remake of Stanno tutti bene .
It's . . . fine, we guess
By BRETT MICHEL  |  December 11, 2009
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Review: Gentlemen Broncos

Having peaked with his debut, Napoleon Dynamite , Jared Hess has settled into being a family-friendly John Waters — which is redundant, since Waters is already rated PG-13.
Jared Hess's latest geek fantasy
By PETER KEOUGH  |  November 06, 2009
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October lite

We expected the vampires, the werewolves, the zombies, and the homicidal maniacs. Same thing with the android doubles, the alien abductors, the sexually abused pregnant teenager, the Apocalypse, and the post-Apocalypse. But kids' movies?
The outlook is still gloomy, but film finds time for childish things
By PETER KEOUGH  |  September 18, 2009
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Review: G-Force

A hero named Darwin and a convoluted plot about "global extermination" are the first clues that director Hoyt Yeatman isn't taking the cute route with his cast of animated guinea pigs.
Surprisingly satirical
By ALICIA POTTER  |  July 31, 2009


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Review: Moon

Duncan Jones begins his first feature with an infomercial for "Lunar Industries, Ltd" that celebrates Lunar's solution to global warming: strip-mining the surface of the moon for "Helium 3," an isotope that can provide a limitless source of non-pollutin
Duncan Jones's debut is more alienation than Alien
By PETER KEOUGH  |  June 19, 2009
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Review: Frost/Nixon

Dick gets off easy in Frost/Nixon
Tricky flick
By PETER KEOUGH  |  December 09, 2008
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Choke

Dotty old women, idiots in powder wigs, a fat guy beating off, and disgorged chunks of food — they aren’t as funny as you might think.
“Gag” might be a better title
By PETER KEOUGH  |  September 23, 2008
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Autumn peeves

With pundits already reading political significance into summer blockbusters like The Dark Knight (“Is Batman a stand-in for George Bush? Discuss.”), the meatier movies of fall arrive not a moment too soon.
Films with a full agenda
By PETER KEOUGH  |  September 08, 2008
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Snow Angels

When a film opens with a shotgun blast that interrupts a lousy high-school-band practice on a miserable winter day, the prospects for a happy ending don’t look good.
Call it American Ugly
By PETER KEOUGH  |  March 21, 2008


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Spring brakes

Funny how spring movies can mirror the options of spring break.
Spring Arts Preview: Some diversions before the summer onslaught
By PETER KEOUGH  |  March 10, 2008
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Joshua

Something sure to please fans of Ratliff’s documentary Hell House.
Eschewing supernatural hysteria
By BRETT MICHEL  |  July 11, 2007
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Dots and dashes

Just about any list of the greatest character actors working today would include David Morse. And with good cause.
The career of David Morse
By RYAN STEWART  |  June 22, 2006

Die Another Day

How often do you get a second chance at making a first impression? In Hollywood, it’s likely never.
Director Richard Shepard hopes The Matador revives his career, too
By BRET MICHEL  |  January 05, 2006