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Review: Girl Model

As seen in David Redmon and Ashley Sabin's somber, sometimes poetic, Fred Wiseman-like documentary, the international model trade ranks just above human trafficking in legitimacy.

By PETER KEOUGH  |  October 12, 2012
Review: Elena

Review: Elena(1)

Andrei Zvyagintsev's film, a Special Jury Prize winner at Cannes 2011, becomes more than a domestic melodrama: a grim, effective allegory of the daily whirl in Putinland.
Domestic servitude
By GERALD PEARY  |  June 01, 2012
Film: Where Do We Go Now?

Review: Where Do We Go Now?

Lebanese director Nadine Labaki's whimsical film about internecine slaughter has a tone problem from the very start: a group of widows engage in a goofy line dance while the voiceover narrator bewails the death toll of religious warfare.
Nadine Labaki's whimsical film
By PETER KEOUGH  |  May 25, 2012
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Review: 2011 Art House Project Shorts Program

Short films are the art of omission, and those in this outstanding Sundance program transform non-sequiturs into surreal poetry.
Surreal poetry
By PETER KEOUGH  |  January 20, 2012
Short takes -- Pina

Review: Pina

Who could have predicted that it would take the surviving leading lights of the New German Cinema to put 3D to good use?
Putting 3D to good use
By ANN LEWINSON  |  January 20, 2012
Silent Souls 3

Review: Silent Souls

This is probably the only film we'll encounter about the Merja culture of West Central Russia, a Finno-Ugric tribe in which even the most modernized people pay allegiance to ancient customs.
Magic realismĀ and Chekhovian melancholy
By GERALD PEARY  |  January 20, 2012


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Review: Lorin Maazel with the BSO

Lorin Maazel made his Boston Symphony Orchestra debut in 1960, but this busy conductor has returned rarely, once in 1973 and again in 2009 as a substitute for the ailing James Levine in Beethoven's last four symphonies.
Plus, music and images at BCMS, Jeremy Denk, and BSCP's Stravinsky
By LLOYD SCHWARTZ  |  January 28, 2011
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Dark night of the soul

St. Petersburg's Eifman Ballet presents Eugene Onegin at the Cutler Majestic Theatre this weekend.
Boris Eifman's Eugene Onegin
By JEFFREY GANTZ  |  May 15, 2009
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Cooking with two Russians

Yulia Converse welcomed me into her kitchen in Maine to learn from her mother, Alla Zagoruyko, how to make authentic Russian borsht.
A day of authenticity, gross assumption, and great soup
By LINDSAY STERLING  |  March 11, 2009