Robert Honeysucker

Latest Articles


Lift every voice!

Opera is the big word for 2009.
Classical goodies for 2009
By LLOYD SCHWARTZ  |  December 30, 2008

Grand finales

Jeffrey Rink has just ended his 18th and final season as music director of Chorus pro Musica. He’ll be missed.
The Cantata Singers’ Weill retrospective, Mark Morris leading Dido , Chorus pro Musica’s Carmen
By LLOYD SCHWARTZ  |  June 03, 2008

Conquering heroes

One sign of Boston’s rich classical-music scene is that there are often hard choices to make when two outstanding events are scheduled at the same time.
Winterreise  from Thomas Quasthoff and James Levine, the Cecilia’s Handel, Levine’s return, Brendel’s farewell
By LLOYD SCHWARTZ  |  February 29, 2008

Too much too soon?

Two of the most exciting concerts announced for this winter are on the same date, February 24.
Classical goodies for 2008
By LLOYD SCHWARTZ  |  January 31, 2008

How it's done

The problem with the Ninth is that it gets played like a monument.
Jonathan McPhee and the Longwood Symphony perform Beethoven's Ninth
By JEFFREY GANTZ  |  October 10, 2007

Decent catch

The opening moments of Opera Boston’s new production of Les pêcheurs de perles set me up to expect an extraordinary evening.
Opera Boston’s Pêcheurs de perles, plus Evgeny Kissin, and Bernard Haitink with the BSO
By LLOYD SCHWARTZ  |  May 08, 2007


Stormy weather

The BSO has been having terrible luck hanging on to its star soloists.
BSO cancellations, plus the Camerata, Jonathan Biss, Emmanuel Music, and more
By LLOYD SCHWARTZ  |  March 28, 2007

Orpheus ascending

Chinese-born director Chen Shi-Zheng is the latest in a line of original opera directors (Sarah Caldwell, Peter Sellars) who’ve developed a Boston following.
Monteverdi’s Orfeo, Richard Conrad, Dolores Ziegler, and John Ferrillo
By LLOYD SCHWARTZ  |  September 26, 2006

New to Boston

Last year, Jeffrey Rink’s Chorus pro Musica gave us seductive belly wriggling; this year: “screams, rape, moans, blood, pillage” and the desire to “feast on limbs and severed heads.”
Chorus pro Musica does Verdi’s Attila ; the Bostonians do Debussy’s Pelléas et Mélisande
By LLOYD SCHWARTZ  |  June 07, 2006

Variety show

James Levine completed his second season as the Boston Symphony Orchestra’s music director with another riveting though not-quite polished evening of Schoenberg and Beethoven.
James Levine at the BSO, Ewa Podles, Gunther Schuller’s jazz, Ben Zander’s Elgar, Russell Sherman’s Mozart, Opera Boston’s Chabrier, Boston Baroque’s Purcell  
By LLOYD SCHWARTZ  |  March 08, 2006