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Richard Conrad

Latest Articles

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Steffani's Niobe opens the Boston Early Music Festival; plus, Richard Conrad's farewell

This is the Baroque opera production I've been waiting for.  
Coming of age
By LLOYD SCHWARTZ  |  June 17, 2011
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2009: The year in Classical

This was a queasy year for classical music.
Beating the quease
By LLOYD SCHWARTZ  |  December 25, 2009
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The roar of the crowd

I wasn’t there, but the opening-night dissatisfaction with the Met’s new Tosca was widely reported.
‘Opening Night at Symphony,’ Russell Sherman, the Discovery Ensemble, Boston Musica Viva, and the Bostonians
By LLOYD SCHWARTZ  |  October 02, 2009
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Noble melody

For the first time since James Levine became music director of the Boston Symphony Orchestra, this acclaimed Verdi specialist conducted the BSO in a Verdi opera.
James Levine brings us Verdi's Simon Boccanegra ; plus Christian Tetzlaff and Leif Ove Andsnes
By LLOYD SCHWARTZ  |  February 03, 2009
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Year in Classical: Celebrate!

In Handel's Hercules, the demented Dejanira's loss is still so painful, I was afraid to listen; now I don't want to hear anything else.
Comings and goings
By LLOYD SCHWARTZ  |  December 22, 2008
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A song to sing, O!

Seiji Ozawa returns to the BSO, Boston Early Music Festival's 17th-century chamber operas, the Bostonians' Yeomen of the Guard
Seiji Ozawa returns to the BSO, Boston Early Music Festival's 17th-century chamber operas, the Bostonians' Yeomen of the Guard
By LLOYD SCHWARTZ  |  December 02, 2008


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Russian, Spanish, American . . .

What everyone is looking forward to this fall is the return to the podium of Boston Symphony Orchestra music director James Levine.
Music in all accents comes to the concert halls
By LLOYD SCHWARTZ  |  September 08, 2008
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The best of times, the worst of times

This year Boston classical music lost some of its most beloved figures — some, like mezzo-soprano Lorraine Hunt Lieberson, at the very height of their extraordinary powers, others, like opera director Sarah Caldwell and her conductor/collaborator, Osbo
A year in classical
By LLOYD SCHWARTZ  |  December 20, 2006
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Orpheus ascending

Chinese-born director Chen Shi-Zheng is the latest in a line of original opera directors (Sarah Caldwell, Peter Sellars) who’ve developed a Boston following.
Monteverdi’s Orfeo, Richard Conrad, Dolores Ziegler, and John Ferrillo
By LLOYD SCHWARTZ  |  September 26, 2006
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New to Boston

Last year, Jeffrey Rink’s Chorus pro Musica gave us seductive belly wriggling; this year: “screams, rape, moans, blood, pillage” and the desire to “feast on limbs and severed heads.”
Chorus pro Musica does Verdi’s Attila ; the Bostonians do Debussy’s Pelléas et Mélisande
By LLOYD SCHWARTZ  |  June 07, 2006