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Porgy and Bess

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Review: 'The Harry Partch Legacy' and the BSO season openers

At Symphony Hall, with its legendary warm and natural acoustics, the amplification created a distorted, directionless sound for the singers of Porgy and Bess .

By LLOYD SCHWARTZ  |  October 05, 2012
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Fall Theater Preview: Fall on Boston boards

Fall came early to Boston boards this year, bringing with it "Summertime."
Stage worthies
By CAROLYN CLAY  |  September 16, 2011
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I loves you, Porgy

So shoot me, Porgy purists. To my mind, the retooling of The Gershwins' Porgy and Bess for American Repertory Theater is compelling enough to push past quibbles.
The A.R.T. streamlines a classic
By CAROLYN CLAY  |  September 02, 2011
ART takes on Porgy and Bess 2

Reimagining Porgy and Bess

In the new production at the American Repertory Theater, directed by Diane Paulus, Messrs. Heyward and Gershwin have been reworked by two actual African-Americans: two-time Obie Award winner Diedre L. Murray and Suzan-Lori Parks, the first African-Americ
The A.R.T. takes on the Gershwins' classic and prep it for Broadway
By EUGENIA WILLIAMSON  |  August 12, 2011
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Flesh and blood: Phil Wilson's Miles and Gil

When I first put on Benny Sharoni's new Eternal Elixir (Papaya), there was, as a composer friend of mine likes to say, "nothing wrong with it." That is, it seemed no better or worse than a zillion other straight-ahead tenor-saxophone discs.
Plus Benny Sharoni's hard bop and Ben Powell's fiddle magic
By JON GARELICK  |  November 12, 2010