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Phyllis Curtin

Latest Articles

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Ye gods!

Much beautiful music turns up in the 18th-century operatic form that’s probably most alien to a modern audience.
BLO’s Idomeneo, BU’s Susannah, Garfein’s Rosencrantz and Guildenstern, Zander’s Stravinsky, and Pollini’s Chopin
By LLOYD SCHWARTZ  |  April 30, 2010
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Double or nothing

The American premiere of Dido took place here in Boston, at the Majestic Theatre in June 1989.
Mark Morris revives Purcell’s Dido and Aeneas at Tanglewood; Cosí fan tutte on Beacon Hill
By LLOYD SCHWARTZ  |  July 03, 2007
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Opera, opera, opera

Every performance at Santa Fe was packed, and few subscribers left unhappy.
At Santa Fe and Tanglewood and in New York
By LLOYD SCHWARTZ  |  August 15, 2006
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Opera’s great loss

When the curtain went up at Boston’s Back Bay Theatre for the American premiere of Arnold Schoenberg’s Moses und Aron , in November 1966, two figures were standing back to back in a spotlight on a small disc.
Sarah Caldwell, 1924–2006
By LLOYD SCHWARTZ  |  March 29, 2006