Paris Opera Ballet

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Review: Crazy Horse

In La Danse — The Paris Opera Ballet , Frederick Wiseman looked behind the scenes at a revered dance institution. In his new documentary he examines a dance institution of a different sort, the cabaret bar of the title, a Parisian pop-cultural icon a
Wiseman behind the scenes at a revered dance institution
By PETER KEOUGH  |  January 27, 2012

An idyll examined

After 36 films and more than 40 years of filmmaking, Frederick Wiseman has probably come as close as any director to capturing this American life in all its breadth and nuance.
Frederick Wiseman's four-hour, 1999 documentary about Belfast, Maine
By CHRISTOPHER GRAY  |  January 29, 2010

Documentary Man

If you think the polemic salvos Michael Moore churns out define the modern documentary, you've either succumbed to Moore's manipulative shenanigans or are unfamiliar with the works of Frederick Wiseman. No disrespect to the Roger & Me director, he
An interview with Frederick Wiseman
By TOM MEEK  |  December 11, 2009

Review: La Danse: Le Ballet de L'Opéra de Paris

Frederick Wiseman's documentary is a love letter to Paris, to the Palais Garnier opera house (the Bastille gets a cameo), and the Paris Opera Ballet.
Tough love from Frederick Wiseman
By JEFFREY GANTZ  |  December 11, 2009

Both ears and the tail for this Carmen

"World Passions," the collection of four works that Boston Ballet opened at the Opera House last night, was more pleasant than passionate until Kathleen Breen Combes sashayed out as the title character in Jorma Elo's Carmen .
Boston Ballet's 'World Passions'
By JEFFREY GANTZ  |  October 30, 2009

Smaller, bigger, better

Is Boston in the midst of a ballet boom? You could certainly believe that if you attended Boston Ballet’s fourth annual season-opening gala last Saturday.
Boston Ballet’s fourth ‘Night of Stars’
By JEFFREY GANTZ  |  September 25, 2009


Dancing in a new direction

The 100th birthday of Serge Diaghilev's Ballets Russes prompted the expected centennial tributes in Boston: a "Diaghilev's Ballets Russes 1909–1929: Twenty Years That Changed the World of Art" symposium and exhibition at Harvard University in April, and
Notes from 'Ballets Russes 2009'
By JEFFREY GANTZ  |  May 29, 2009

More Jewels

Get your Jewels bearings

By JEFFREY GANTZ  |  March 04, 2009

Crowning glory

In 1967, George Balanchine created Jewels for New York City Ballet, and in short order this evening-length triptych — Emeralds , Rubies , and Diamonds — became the crown jewel of 20th-century dance.
Boston Ballet's Jewels
By JEFFREY GANTZ  |  February 27, 2009

Adam and Eve

A day at New York City Ballet that starts with a matinee of Coppélia and ends with a Balanchine evening might seem to offer merely the contrast between classic and modern, old and new.
It's boy-meets-girl at New York City Ballet
By JEFFREY GANTZ  |  January 13, 2009

State of the art

Maybe it’s the economy, but Boston Ballet’s third-annual season-opening gala was a sober evening, without the orchestral overture that graced the first two affairs.  
Boston Ballet’s third ‘Night of Stars’
By JEFFREY GANTZ  |  October 17, 2008


The end of a three-week, thousands-of-miles-from-home season is never the right time to assess a dance company.
The Kirov's Balanchine at City Center
By JEFFREY GANTZ  |  May 06, 2008

Not quite Nina

On hearing the opening notes of the Kronos Quartet composition and seeing the dancers lit in sunny yellow, I feared we were about to be subjected to one of those “up with people” ballets.
Ananiashvili and the State Ballet of Georgia look to find their footing
By JANINE PARKER  |  June 27, 2007

Love and death

“Classic Balanchine” as opposed to . . . “Jazz Balanchine”? “Porno Balanchine”? What was the alternative?
Boston Ballet's "Classic Balanchine" has all the basics
By JEFFREY GANTZ  |  May 09, 2007

L’Allegro, fuss and feathers, and the ICA blues

This year we were looking forward to dance performances at the Barbara Lee Family Foundation Theater in the new ICA.
 A year in dance
By JEFFREY GANTZ  |  December 20, 2006

Stairway to Paradise?

It’s a mark of Mikko Nissinen’s ambitions for Boston Ballet that last night’s benefit Gala Performance at the Wang Theatre ended with such a défilé .
Boston Ballet's Gala performance
By JEFFREY GANTZ  |  October 26, 2006


Balanchinean baubles

George Balanchine’s Jewels got a lukewarm critical reception when it premiered in 1967, though the public loved it right off for its triple-threat bravado.
Jewels on DVD — and PBS
By MARCIA B. SIEGEL  |  August 17, 2006

Stacked deck

Kenneth MacMillan’s Manon is Romeo and Juliet ’s ugly stepsister.
The Royal Ballet’s Manon
By JEFFREY GANTZ  |  June 21, 2006