Otto Klemperer

Latest Articles


Beloved of God

One of my most profound musical experiences took place when I was still a graduate student.
Levine's Mozart with the BSO, plus Gabriela Montero and Benjamin Zander with the Boston Philharmonic
By LLOYD SCHWARTZ  |  February 26, 2009

Digital or timeless?

Garrison Keillor went into one of his trademark reveries and began to tell us about Tanglewood’s “designer” fireworks.
‘Opening Night at Tanglewood,’ the Dutch and the Danes at Jacob’s Pillow, ‘The Unknown Monet’ at the Clark
By JEFFREY GANTZ  |  July 18, 2007

Measure for measure

“Great Ball at the Court of France,” which Ensemble Doulce Mémoire presented at the First Congregational Church in Cambridge last Friday, under the auspices of the Boston Early Music Festival, was a reminder that classical music used to be all about two
Ensemble Doulce Mémoire, Matthew Bourne’s Swan Lake , Robert Spano’s Sibelius , H&H’s St. Matthew Passion
By JEFFREY GANTZ  |  April 26, 2006

Good vibrations?

The string vibrato developed as an orchestral sonority only in the 20th century. Does that mean that your favorite performances of everyone from Bach to Berg don’t really sound the way the composer intended?
Roger Norrington cleans up classical music
By JEFFREY GANTZ  |  March 14, 2006