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Ogden Nash

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Play by Play: November 13, 2009

Boston's weekly theater schedule
Plays from A to Z
By JEFFREY GANTZ  |  November 13, 2009

Play by play: November 6, 2009

Boston's weekly theater listings
Boston theater listings, November 6, 2009
By JEFFREY GANTZ  |  November 06, 2009

Play by play: October 30, 2009

Boston's weekly theater schedule
Plays around town
By JEFFREY GANTZ  |  October 30, 2009
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Only connect

Usually when a cell phone goes off in the theater, you want to kill someone. In the case of Dead Man’s Cell Phone , that’s not necessary.
The Lyric answers the call of Dead Man’s Cell Phone
By CAROLYN CLAY  |  October 23, 2009
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Opening pitch

The most moving moment of this year’s Boston Symphony Orchestra opening gala came before the concert started — the standing ovation for James Levine, who looked rested and recuperated after his kidney surgery this summer, an operation that forced him to
James Levine’s gala and Brahms, Russell Sherman’s Liszt, the Bostonians’ Kurt Weill
By LLOYD SCHWARTZ  |  October 01, 2008
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All over again

The Boston Symphony Orchestra program for last week’s four concerts was a familiar one.

Brahms from Levine and Kissin, Emmanuel’s Bach B-minor Mass, the Cantata Singers’ Kurt Weill cabaret


By LLOYD SCHWARTZ  |  April 15, 2008


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Unembarrassed riches

Some weeks Boston has such musical riches, one wouldn’t want to be anywhere else.
Dutoit and Elder at the BSO, Collage’s Berio, Boston Conservatory’s Turn of the Screw, and Kurt Weill at the Gardner and the MFA
By LLOYD SCHWARTZ  |  February 21, 2008
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Candy is dandy

The poet Ogden Nash might be best known for his acute “Reflections on Icebreaking”: “Candy/is dandy/but liquor/is quicker.”
Honey-sweet goodness at Pontine
By MEGAN GRUMBLING  |  February 06, 2008