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Photos: Boston Ballet presents Black & White (2010)

Boston Ballet's reprise of Jirí Kylián’s Black & White
Boston Ballet presents Jirí Kylián’s Black & White
By ROSALIE O'CONNOR  |  May 28, 2010
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Sparring with the Ultimate

There’s never been a more brilliant exemplar of the ballet art than George Balanchine.
Boston Ballet in The Four Temperaments, Apollo, and Theme and Variations
By MARICA B. SIEGEL  |  May 14, 2010
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Theme and variations

George Balanchine was famous for “non-story” ballets, but when you put three of his works — the usual number to fill up an evening — together, you always get some kind of narrative.
Boston Ballet’s ‘Ultimate Balanchine’
By JEFFREY GANTZ  |  May 14, 2010
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Happy returns

George Balanchine didn’t go in for productions of the old classic ballets.
Boston Ballet’s Coppélia , Alvin Ailey at the Wang
By MARCIA B. SIEGEL  |  April 23, 2010
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Definitions

Boston Ballet’s artistic director, Mikko Nissinen, wants us to think of his company as utterly contemporary, but it’s a tricky balance to pull off.
Boston Ballet’s ‘World Passions’; Streb Brave at the ICA
By MARCIA B. SIEGEL  |  October 30, 2009
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Both ears and the tail for this Carmen

"World Passions," the collection of four works that Boston Ballet opened at the Opera House last night, was more pleasant than passionate until Kathleen Breen Combes sashayed out as the title character in Jorma Elo's Carmen .
Boston Ballet's 'World Passions'
By JEFFREY GANTZ  |  October 30, 2009


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No place like home

The first thing audiences see when the curtain goes up on Boston Ballet's Giselle is our heroine's charming Rhineland-village home, a rustic abode that in Peter Farmer's set is framed by birches, a symbol of fidelity.
Boston Ballet's Giselle fits right in
By JEFFREY GANTZ  |  October 09, 2009
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Photos: Boston Ballet's Giselle

Giselle at the Boston Opera House
Photos from the Boston Ballet's Giselle , opening October 1, 2009
By ERIC ANTONIOU  |  October 02, 2009
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Smaller, bigger, better

Is Boston in the midst of a ballet boom? You could certainly believe that if you attended Boston Ballet’s fourth annual season-opening gala last Saturday.
Boston Ballet’s fourth ‘Night of Stars’
By JEFFREY GANTZ  |  September 25, 2009
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Slideshow: Ballets Russes at the Wang

Boston Ballet performs "Diaghilev's Ballets Russes Centennial Celebration" at the Wang Theater
Diaghilev's Ballets Russes Centennial Celebration
By PHOENIX WEB STAFF  |  May 15, 2009
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Smaller is better

Next fall, Boston Ballet will move all its performing operations to the Opera House from Citi Performing Arts Center's immense and unfriendly Wang Theatre.
Boston Ballet's Nutcracker at the Opera House
By MARCIA B. SIEGEL  |  December 02, 2008


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State of the art

Maybe it’s the economy, but Boston Ballet’s third-annual season-opening gala was a sober evening, without the orchestral overture that graced the first two affairs.  
Boston Ballet’s third ‘Night of Stars’
By JEFFREY GANTZ  |  October 17, 2008
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Big pond, little pond

Swan Lake is ballet’s prima ballerina because, 131 years after its Moscow premiere, it’s still poised on pointe.
Swan Lake  in Boston and Providence
By JEFFREY GANTZ  |  May 06, 2008
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At long last love?

Boston Ballet has been playing the Romeo and Juliet dating game for almost 25 years now.
Boston Ballet hitches up with John Cranko’s Romeo & Juliet
By JEFFREY GANTZ  |  February 20, 2008
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Moonbeams

Shakespeare’s A Midsummer Night’s Dream is a dizzy dance of a drama, meandering mystifyingly between May Eve and Midsummer Eve under a moon that goes from new to full swifter than arrow from the Tartar’s bow.
Boston Ballet illumines George Balanchine’s  A Midsummer Night’s Dream
By JEFFREY GANTZ  |  January 24, 2008
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Dark victory

It’s a good pairing: together, Serenade and La Sylphide write an essay on doomed love
Boston Ballet in Serenade and La Sylphide
By JEFFREY GANTZ  |  October 31, 2007


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Where’s the magic?

The hook for Boston Ballet’s production of The Nutcracker this year is “more magic.”
Looking for enchantment from Boston Ballet’s Nutcracker
By JEFFREY GANTZ  |  December 05, 2006
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Impossible dream?

Don Quixote has been a watershed work for Boston Ballet.
Rudolf Nureyev’s Don Quixote has yet to earn its knighthood
By JEFFREY GANTZ  |  October 25, 2006
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Up and down

Dance is all about direction.
Boston Ballet looks for direction
By JEFFREY GANTZ  |  May 18, 2006
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Pensées mal gardées

Boston Ballet’s second production of Frederick Ashton’s La Fille Mal Gardée made it clearer than ever what a fractured fairy tale this is. The pastoral scrim that’s revealed when the curtain goes up sports a surly Demeter bearing a sheaf of grain and
Plus, fantasy Filles
By JEFFREY GANTZ  |  March 14, 2006
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Farm frolic

The La Fille Mal Gardée we recognize now as the real thing is quite modern.
Boston Ballet’s La Fille Mal Gardée
By MARCIA B. SIEGEL  |  March 14, 2006