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Nancy Leary

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Review: Viktor Ullmann's The Emperor of Atlantis

The Boston Lyric Opera, with Boston Classical Orchestra music director Steven Lipsitt and a company of singers and designers largely new to Boston, has given us a memorable production of the opera that composer Viktor Ullmann and poet Petr Kien created i
Boston Lyric Opera pulls out the stops
By LLOYD SCHWARTZ  |  February 04, 2011
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Moral surgery

You know upon meeting Becky Shaw that you're in the presence of a smart, snappy writer. But you picture playwright Gina Gionfriddo as someone more akin to Theresa Rebeck than William Makepeace Thackeray.
Becky Shaw at the Huntington; Entertaining Mr. Sloane at the Publick; Othello at Actors' Shakespeare Project
By CAROLYN CLAY  |  March 19, 2010
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Schnozzola!

By the time you read this, you've either seen or missed one of Boston's most exciting opera productions, Opera Boston's brilliant version of Shostakovich's The Nose .
Opera Boston doesn't blow The Nose — plus Yannick Nézet-Séguin's BSO debut and the return of Lang Lang
By LLOYD SCHWARTZ  |  March 03, 2009
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Decent catch

The opening moments of Opera Boston’s new production of Les pêcheurs de perles set me up to expect an extraordinary evening.
Opera Boston’s Pêcheurs de perles, plus Evgeny Kissin, and Bernard Haitink with the BSO
By LLOYD SCHWARTZ  |  May 08, 2007
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Rise and fall

With its production of the Kurt Weill/Bertolt Brecht Aufstieg und Fall der Stadt Mahagonny, Opera Boston consolidates its position as this city’s most exciting opera company.
Opera Boston does Mahagonny; the BSO and the Boston Philharmonic do Sibelius
By LLOYD SCHWARTZ  |  March 13, 2007
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Transfigured nights

James Levine and the BSO resumed their Beethoven/Schoenberg series with superb performances of two pieces at the opposite ends of the Schoenberg spectrum.
The BSO’s Schoenberg and Beethoven; Boston Baroque’s Don Giovanni; Opera Boston’s La clemenza di Tito
By LLOYD SCHWARTZ  |  October 24, 2006


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Ear-popping

Of the three operas recently competing with one another, Opera Boston’s presentation of Donizetti’s Lucrezia Borgia was in some ways the most fun.
Opera Boston’s Lucrezia Borgia , the BSO’s Oedipus Rex  
By LLOYD SCHWARTZ  |  May 09, 2006