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Motion Picture Association of America

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Dark passage

The Production Code, Hollywood's notorious self-censorship program, was instituted by the Motion Picture Producers and Distributors of America in 1930, but it didn't go into effect till 1934, when it was administered by Joseph I. Breen.
Film noir and the Production Code at the MFA
By STEVE VINEBERG  |  May 29, 2009

Fair game

There is a big difference between games that are consciously edgy or controversial, such as Postal or Super Columbine Massacre, and games that are intended as nothing but exploitive pornography, such as Custer’s Revenge.
Boston Phoenix Letters: May 9, 2008
By BOSTON PHOENIX LETTERS  |  May 07, 2008
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Bruce Willis lets loose

I n the middle of my conversation with Bruce Willis at the Four Seasons, the lights inexplicably go out and we’re plunged into darkness.
On the Die Hard films, Paris Hilton, and what scares him
By SHARON STEEL  |  June 29, 2007
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Stealing culture

The following review of Good Copy Bad Copy does not appear in the Phoenix ’s film section.
A free must-see movie
By MIKE MILIARD  |  June 26, 2007
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Rating the raters

I’m surprised that this close to the November elections neither party has opted for the tried-and-true tradition of scapegoating Hollywood indecency for easy votes. You don't know Dick: Kirby on making an unrated film. By Peter Keough
Kirby Dick goes after the MPAA
By PETER KEOUGH  |  September 13, 2006
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A fellow critic cops a plea

Paul Sherman, a long-time contributing critic for the Boston Herald , film editor at the Improper Bostonian , and former president of the Boston Society of Film Critics, pleaded guilty to aiding and abetting copyright infringement in a San Jose, Califo
Copy cat  
By TOM MEEK  |  June 28, 2006


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Get it while you can

A couple of months ago, a man with the screen name x-amount logged on to  Recidivism.org , the blog he maintains with a few of his friends, and made a pronouncement.
Will sites like YouTube and The Hype Machine go the route of Napster?
By MIKE MILIARD  |  June 12, 2006