Michael Beattie

Latest Articles


All you need is love

Outpourings of love have been flooding the Boston musical scene.
Marylou Speaker Churchill memorial, Emmanuel Music’s Haydn/Schoenberg, and more
By LLOYD SCHWARTZ  |  April 23, 2010


Simon Rattle and the BPO, Fabio Luisi and the BSO, John Harbison and Emmanuel Music
Simon Rattle and the BPO, Fabio Luisi and the BSO, John Harbison and Emmanuel Music
By LLOYD SCHWARTZ  |  November 20, 2009


The Boston Lyric Opera comes maddeningly close to having a good Carmen . (The production continues at the Shubert Theatre through November 17.) Keith Lockhart leads a superb orchestra and chorus and a cast of plausible singers/actors in a compelling i
BLO's Carmen, the BSO's Beethoven, Emmanuel Music's Haydn and Schoenberg
By LLOYD SCHWARTZ  |  November 13, 2009

Lift every voice!

Opera is the big word for 2009.
Classical goodies for 2009
By LLOYD SCHWARTZ  |  December 30, 2008


If the St. John Passion is Bach’s equivalent of lesser Shakespeare, the St. Matthew Passion is Bach’s King Lear.
Bernard Haitink and the BSO; Dominique Labelle with the Handel and Haydn Society
By LLOYD SCHWARTZ  |  April 02, 2008

Great gifts

Knussen’s interludes, barely seven minutes, are a complex but attractive mix of the seductively creepy and the intricately lively.
Julian Kuerti leads the BSO and Leon Fleisher, Stockhausen’s Mantra at Harvard, Emmanuel’s St. John Passion
By LLOYD SCHWARTZ  |  March 12, 2008


Too much too soon?

Two of the most exciting concerts announced for this winter are on the same date, February 24.
Classical goodies for 2008
By LLOYD SCHWARTZ  |  January 31, 2008

The art of . . .

Craig Smith’s Emmanuel Music began its season with Bach, the composer it’s best known for.
Bach at Emmanuel, Boston Baroque’s Cosí fan tutte, Kiri Te Kanawa’s farewell to Boston  
By LLOYD SCHWARTZ  |  October 16, 2007


Music lovers had a tough decision to make last Saturday between two great operas that are rarely performed here.
Emmanuel Music’s Alcina , André Previn at the BSO, and the Australian Chamber Orchestra
By LLOYD SCHWARTZ  |  April 24, 2007

In extremis

In Handel’s Ariodante we move from the sunlit first act into a world of moonlight, darkness, deception, and emotional blindness.
Handel's Ariodante and Lang Lang
By LLOYD SCHWARTZ  |  January 30, 2007

Erwartung . . .

BOSTON SYMPHONY ORCHESTRA music director James Levine will be back in February to continue his survey of Beethoven and Schoenberg with Metropolitan Opera diva Deborah Voigt in Beethoven’s “Ah! perfido” and Schoenberg’s Erwartung (“Awaiting”), along w
Classical goodies for 2007
By LLOYD SCHWARTZ  |  December 28, 2006



Seventy-four years after Schoenberg composed (but never finished) Moses und Aron , this towering 20th-century masterwork got its first Boston Symphony Orchestra performance.
The BSO’s Moses und Aron  and Emmanuel Music’s Orlando
By LLOYD SCHWARTZ  |  October 31, 2006

Orpheus ascending

Chinese-born director Chen Shi-Zheng is the latest in a line of original opera directors (Sarah Caldwell, Peter Sellars) who’ve developed a Boston following.
Monteverdi’s Orfeo, Richard Conrad, Dolores Ziegler, and John Ferrillo
By LLOYD SCHWARTZ  |  September 26, 2006

Making it new

The avant-garde ain’t what it used to be.
Ballet mécanique in Washington, the Callithumpians’ Xenakis, Mark Morris in New York and Boston, Yo-Yo Ma at the BSO, Harbison’s But Mary Stood
By LLOYD SCHWARTZ  |  March 21, 2006