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Much beautiful music turns up in the 18th-century operatic form that’s probably most alien to a modern audience.
BLO’s Idomeneo, BU’s Susannah, Garfein’s Rosencrantz and Guildenstern, Zander’s Stravinsky, and Pollini’s Chopin
| April 30, 2010
Composers John Harbison and Peter Lieberson are big presences this spring.
Lions and lambs
| March 12, 2010
Last week’s Boston Symphony Orchestra program looked odd on paper, but the concert was a knockout.
Maurizio Pollini returns to the BSO; Opera Boston’s Der Freischütz
| October 21, 2008
Russian, Spanish, American . . .
What everyone is looking forward to this fall is the return to the podium of Boston Symphony Orchestra music director James Levine.
Music in all accents comes to the concert halls
| September 08, 2008
What's left behind
Tap Olé is less a new-fangled bicultural fusion than a return to tap dancing’s foundational swingtime.
Tap Olé at the Regent, Rachid Ouramdane at the ICA, Prometheus at Boston Conservatory
| May 21, 2008
The best of what's to come in March, April & May
| March 09, 2006
More than Mozart
One of the spring’s most exciting prospects is the premiere of John Harbison’s But Mary Stood: Sacred Symphonies for Chorus and Instruments.
Warming up with a busy concert season
| March 08, 2006
The Boston Symphony Orchestra, Celebrity Series, Emmanuel Music, Boston Early Music Festival, and more.
Winter concert preview: classical goodies in 2006
| January 14, 2006
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