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Maurice Sendak

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Tanglewood Festival of Contemporary Music: Part II

Oliver ("Olly") Knussen, who recently turned 60, has been a previous co-director of the Tanglewood Festival of Contemporary Music (FCM) and in other years an active participant (in 2008, for example, he came to the rescue of the centennial tribute to El
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By LLOYD SCHWARTZ  |  August 17, 2012
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2009: The year in movies

As I looked over my list of the best movies of 2009, it suddenly struck me: where are all the women on screen?
Men behaving badly
By PETER KEOUGH  |  December 25, 2009
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Review: Where the Wild Things Are

I can’t speak for the kids, but I would rate Spike Jonze & Dave Eggers’s adaptation of Maurice Sendak’s 40-page children’s picture book up there with Up and Wall•E as topping the recent renaissance in children’s movies. If pressed, I’d rank it cl
Jonze, Eggers, and Sendak aren’t kidding around
By PETER KEOUGH  |  October 16, 2009
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October lite

We expected the vampires, the werewolves, the zombies, and the homicidal maniacs. Same thing with the android doubles, the alien abductors, the sexually abused pregnant teenager, the Apocalypse, and the post-Apocalypse. But kids' movies?
The outlook is still gloomy, but film finds time for childish things
By PETER KEOUGH  |  September 18, 2009

Music Seen: Lady Lamb The Beekeeper at Empire

It's easy for Portland to get behind an act as well-put-together as Lady Lamb the Beekeeper.
Music Seen
By CHAD CHAMBERLAIN  |  August 21, 2009
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Censorship for Me, Penelope

Lisa Jahn-Clough's young-adult novel Me, Penelope is the subject of a recent dispute at Tavares Middle School in Orlando, Florida.
Girl, Interrupted
By ALEX IRVINE  |  March 04, 2009


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Not so great

Way back in 1977, PBS gave us a Nutcracker with a difference: Mikhail Baryshnikov as an electrifying Nutcracker/Cavalier and willowy Gelsey Kirkland as an older-than-usual Clara, as the Sugar Plum Fairy.
San Francisco's Nutcracker on PBS
By JEFFREY GANTZ  |  December 02, 2008
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Great gifts

Knussen’s interludes, barely seven minutes, are a complex but attractive mix of the seductively creepy and the intricately lively.
Julian Kuerti leads the BSO and Leon Fleisher, Stockhausen’s Mantra at Harvard, Emmanuel’s St. John Passion
By LLOYD SCHWARTZ  |  March 12, 2008

The Art of William Steig by Claudia Nahson, et al.


Yale University Press | 208 pages | $40
By GREG COOK  |  December 03, 2007
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Sweet tooth

I hope the estate of Leonard Bernstein is collecting royalties for The Little Prince . Rachel Portman’s unremittingly sweet and relentlessly lilting score for this children’s opera based on Antoine de Saint-Exupéry’s famous story borrows heavily from Be
  Boston Lyric Opera imports The Little Prince , the BSO premieres Yehudi Wyner’s piano concerto, and Renée Fleming
By LLOYD SCHWARTZ  |  April 19, 2006