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Mark Morris Dance Group

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Review: James Levine with the Met and the BSO

Sighs of relief at Symphony Hall, from patrons and management alike: James Levine, music director of both the Boston Symphony Orchestra and the Metropolitan Opera, had completed a doubleheader.
Plus Mark Morris and Boston Baroque
By LLOYD SCHWARTZ  |  October 22, 2010
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Fall Classical Preview: The power of music

Here’s my Top 10 list, in chronological order, of some of the season’s most appealing and important classical music events: symphonies, chamber music, operas.
 And, we hope, the good health of James Levine
By LLOYD SCHWARTZ  |  September 17, 2010
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Summer treats

From Andean to zydeco, pick your flavor and there's a summer music festival ready to serve it up.
Whether classical, jazz, pop, or folk, 'tis the season to get out and enjoy the music
By CLEA SIMON  |  June 18, 2010
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Squiggles and lines

The eponymous directors of Alonzo King Lines Ballet and the Mark Morris Dance Group both came from backgrounds in modern dance with sprinklings of other styles, and they both subsequently invented movement vocabularies to serve their choreographic idea
Alonzo King at the ICA, Mark Morris at the Opera House
By MARCIA B. SIEGEL  |  February 05, 2010
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From Mozart to milonga

We Bostonians may swathe ourselves in sweaters and lock our doors against the blustery weather, but once the music begins, dance performances can help us shake off the shivers — and often transport us to more temperate climes.
All kindsa dance hits the stage
By DEBRA CASH  |  January 01, 2010
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2009: The year in Dance

You could say there were two tremendous forces that propelled dance into the world of modern culture: the Ballets Russes of Serge Diaghilev and the choreography of Merce Cunningham.
Milestones and memories
By MARCIA B. SIEGEL  |  December 25, 2009


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Trail of tunes

The best summer music festivals take something from the season: the smell of the surf, the sight of the mountains, fireworks, lawn seating — or, at least, fried dough.
Music al fresco at summer fests
By CLEA SIMON  |  June 12, 2009
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Mad love

The destructive power of jealousy makes a good subject for opera.
John Harbison's Winter's Tale, Dvorák's Rusalka, Hans Graf with the BSO, Mark Morris's music
By LLOYD SCHWARTZ  |  March 24, 2009
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Note shapes

When the Celebrity Series announced that the Mark Morris Dance Group would do three older pieces for its annual Boston appearance, we got a chance to revisit works we haven't seen in a while.
Mark Morris at the Majestic
By MARCIA B. SIEGEL  |  March 24, 2009
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Lift every voice!

Opera is the big word for 2009.
Classical goodies for 2009
By LLOYD SCHWARTZ  |  December 30, 2008
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Sizzling frost

The winter dance season starts out promoting international coexistence.
Dance heat 2009
By DEBRA CASH  |  December 29, 2008


Year in Dance: Reusable histories & durable trends

Conservation is a good thing in these times, and some of the most interesting performances drew on the uses of history — personal history, performance history, and even some inventions that sought to overturn history.
No startling breakthroughs, but that's okay
By MARCIA B. SIEGEL  |  December 22, 2008
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Chilly scenes in winter

The drama of the holidays (and I don’t mean A Christmas Carol) may be behind us, but there’s plenty more drama — and comedy and musicals — ahead to light up long winter nights.  
The year ahead on Boston stages
By LIZA WEISSTUCH  |  October 27, 2008
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Young and old

The presence of company veterans infuses Mark Morris Dance Group with a maturity that both grounded and lifted this presentation to a higher plane.
Mark Morris at Tanglewood
By JANINE PARKER  |  July 02, 2008
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Pillow talking

Last summer, Los Angeles Times dance critic Lewis Segal suggested that ballet is dying an ugly, boring death.
Ballet du Grand Théâtre de Genève and the Mark Morris Dance Group
By JANINE PARKER  |  August 15, 2007
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Double or nothing

The American premiere of Dido took place here in Boston, at the Majestic Theatre in June 1989.
Mark Morris revives Purcell’s Dido and Aeneas at Tanglewood; Cosí fan tutte on Beacon Hill
By LLOYD SCHWARTZ  |  July 03, 2007


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Lightweights

Two of Boston’s major dance series wound up their 2006–2007 season last week with low-calorie desserts.
Mark Morris at the ICA, Latin Jazz at the Shubert
By MARCIA B. SIEGEL  |  May 22, 2007
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L’Allegro, fuss and feathers, and the ICA blues

This year we were looking forward to dance performances at the Barbara Lee Family Foundation Theater in the new ICA.
 A year in dance
By JEFFREY GANTZ  |  December 20, 2006
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Hit and miss

Boston Ballet didn’t need Mark Morris’s blessing in 1999, and it doesn’t need it now.
Visiting and home teams swing for the fences  
By JEFFREY GANTZ  |  March 22, 2006
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Dancing to the music?

Seeing Mark Morris Dance Group do his L’Allegro, il Penseroso ed il Moderato here in Boston back on January 20 and then New York City Ballet perform George Balanchine’s Concerto Barocco and Symphony in C the following evening in New York was a rem
Mark Morris and George Balanchine
By JEFFREY GANTZ  |  February 02, 2006
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Master movers

Rhode Island audiences have long been treated to national caliber dance troupes in Rhode Island College’s Performing Arts Series.
Mark Morris and Ronald K. Brown head to RIC  
By JOHNETTE RODRIGUEZ  |  February 01, 2006


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Us, writ large

Mark Morris’s L’Allegro, il Penseroso ed il Moderato is a dance as big as its name, as big as its illustrious associates and enablers, George Frideric Handel, John Milton, William Blake, and a contemporary galaxy of dancers, musicians, and designers.
Mark Morris’s L’Allegro
By MARCIA B. SIEGEL  |  January 24, 2006
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Amazing weekend

James Levine’s opening salvo for his year-long Beethoven/Schoenberg series with the Boston Symphony Orchestra couldn’t have been more ambitious: the work that opened Symphony Hall in 1900.
James Levine with the BSO and BSO Chamber Players, Hoose and the Cantata Singers  
By LLOYD SCHWARTZ  |  January 24, 2006