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Maina Gielgud

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No place like home

The first thing audiences see when the curtain goes up on Boston Ballet's Giselle is our heroine's charming Rhineland-village home, a rustic abode that in Peter Farmer's set is framed by birches, a symbol of fidelity.
Boston Ballet's Giselle fits right in
By JEFFREY GANTZ  |  October 09, 2009
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Photos: Boston Ballet's Giselle

Giselle at the Boston Opera House
Photos from the Boston Ballet's Giselle , opening October 1, 2009
By ERIC ANTONIOU  |  October 02, 2009
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Terpsichore's delight

There's no end to variety to the fall's dance season, from a Boston Ballet classic to Hawaiian hula and "extreme action" acrobatics.
A season of foot (and body) work
By DEBRA CASH  |  September 18, 2009
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Tragic tropes and anti-tropes

The only question to ask about a new Romeo and Juliet, besides “Why?”, is “Why New York City Ballet?”
NYCB's Romeo , Boston Ballet's Giselle
By MARCIA B. SIEGEL  |  May 18, 2007
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Love after death

At 166 years old and sporting miles of white tulle, Giselle can look pretty moldy.
Boston Ballet redeems Giselle
By JEFFREY GANTZ  |  May 14, 2007
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Dancing across the city

The ICA’s Barbara Lee Family Foundation Theater, with its sprung wood dance floor and wrap-around windows framing the harbor, is positioned to become Boston dance’s most significant venue.
Between the opening of the new ICA and Bank of America's de-funding of Celebrity Series, will Boston be a city on the move or on the make in 2007?
By DEBRA CASH  |  December 27, 2006


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Hit and miss

Boston Ballet didn’t need Mark Morris’s blessing in 1999, and it doesn’t need it now.
Visiting and home teams swing for the fences  
By JEFFREY GANTZ  |  March 22, 2006