Maina Gielgud

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No place like home

The first thing audiences see when the curtain goes up on Boston Ballet's Giselle is our heroine's charming Rhineland-village home, a rustic abode that in Peter Farmer's set is framed by birches, a symbol of fidelity.
Boston Ballet's Giselle fits right in
By JEFFREY GANTZ  |  October 09, 2009

Photos: Boston Ballet's Giselle

Giselle at the Boston Opera House
Photos from the Boston Ballet's Giselle , opening October 1, 2009
By ERIC ANTONIOU  |  October 02, 2009

Terpsichore's delight

There's no end to variety to the fall's dance season, from a Boston Ballet classic to Hawaiian hula and "extreme action" acrobatics.
A season of foot (and body) work
By DEBRA CASH  |  September 18, 2009

Tragic tropes and anti-tropes

The only question to ask about a new Romeo and Juliet, besides “Why?”, is “Why New York City Ballet?”
NYCB's Romeo , Boston Ballet's Giselle
By MARCIA B. SIEGEL  |  May 18, 2007

Love after death

At 166 years old and sporting miles of white tulle, Giselle can look pretty moldy.
Boston Ballet redeems Giselle
By JEFFREY GANTZ  |  May 14, 2007

Dancing across the city

The ICA’s Barbara Lee Family Foundation Theater, with its sprung wood dance floor and wrap-around windows framing the harbor, is positioned to become Boston dance’s most significant venue.
Between the opening of the new ICA and Bank of America's de-funding of Celebrity Series, will Boston be a city on the move or on the make in 2007?
By DEBRA CASH  |  December 27, 2006


Hit and miss

Boston Ballet didn’t need Mark Morris’s blessing in 1999, and it doesn’t need it now.
Visiting and home teams swing for the fences  
By JEFFREY GANTZ  |  March 22, 2006