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Lorraine Hunt Lieberson

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Ye gods!

Much beautiful music turns up in the 18th-century operatic form that’s probably most alien to a modern audience.
BLO’s Idomeneo, BU’s Susannah, Garfein’s Rosencrantz and Guildenstern, Zander’s Stravinsky, and Pollini’s Chopin
By LLOYD SCHWARTZ  |  April 30, 2010
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Stuff at night

This week’s health headlines also included the announcement from the Boston Symphony Orchestra that music director James Levine has been sidelined again, from the “excruciating pain” he’s been suffering since his surgery for a herniated disc.
The BSO without Levine, Yo-Yo Ma, the Cantata Singers, American Classics, the Zarounian Ensemble
By LLOYD SCHWARTZ  |  April 02, 2010
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Almost

The Boston Lyric Opera comes maddeningly close to having a good Carmen . (The production continues at the Shubert Theatre through November 17.) Keith Lockhart leads a superb orchestra and chorus and a cast of plausible singers/actors in a compelling i
BLO's Carmen, the BSO's Beethoven, Emmanuel Music's Haydn and Schoenberg
By LLOYD SCHWARTZ  |  November 13, 2009
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Beloved of God

One of my most profound musical experiences took place when I was still a graduate student.
Levine's Mozart with the BSO, plus Gabriela Montero and Benjamin Zander with the Boston Philharmonic
By LLOYD SCHWARTZ  |  February 26, 2009
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Year in Classical: Celebrate!

In Handel's Hercules, the demented Dejanira's loss is still so painful, I was afraid to listen; now I don't want to hear anything else.
Comings and goings
By LLOYD SCHWARTZ  |  December 22, 2008
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Altar and ego


Mark Morris’s Dido and Aeneas
By JEFFREY GANTZ  |  May 30, 2008


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Epic undertaking

The act four sequence of quintet, septet, and love duet is non-stop musical orgasm.
Berlioz’s Les Troyens at the BSO; Opera Boston attempts Verdi’s Ernani
By LLOYD SCHWARTZ  |  May 07, 2008
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Orpheus in the afterworld

Tomsic’s last Boston recital was four years ago. We can’t afford to be without her this long.

Harbison and Mahler at the BSO, and the return of Dubravka Tomsic


By LLOYD SCHWARTZ  |  April 22, 2008
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All over again

The Boston Symphony Orchestra program for last week’s four concerts was a familiar one.

Brahms from Levine and Kissin, Emmanuel’s Bach B-minor Mass, the Cantata Singers’ Kurt Weill cabaret


By LLOYD SCHWARTZ  |  April 15, 2008
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Love and loss

Boston’s biggest classical-music story this year was also its saddest.
Classical: 2007 in review
By LLOYD SCHWARTZ  |  December 18, 2007
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Hot and cold

James Levine’s second French program this season with the Boston Symphony Orchestra was more compelling than the one with which he began the season.
More French music plus Osvaldo Golijov at the BSO; Sarasa’s warm tribute to Craig Smith
By LLOYD SCHWARTZ  |  December 11, 2007


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Craig Smith (1947–2007)

For more than 30 years, Emmanuel Music has been central to the cultural life of Boston.
Boston loses a beloved musician
By EDITORIAL  |  November 19, 2007
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Double or nothing

The American premiere of Dido took place here in Boston, at the Majestic Theatre in June 1989.
Mark Morris revives Purcell’s Dido and Aeneas at Tanglewood; Cosí fan tutte on Beacon Hill
By LLOYD SCHWARTZ  |  July 03, 2007
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What’s in a phrase?

There are lots of references to heaven in Bach’s Passions and cantatas, but one of his most heavenly pieces has no words at all.
The Cantata Singers’ season finale; Leon Fleisher and the Emerson String Quartet
By LLOYD SCHWARTZ  |  May 22, 2007
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City limits

There’s nothing like the first weekend of beautiful weather to raise skepticism about digitally mediated experience.
Boston Cyberarts’ ‘The Body’s Limit’ at Green Street, ‘Ten’s the Limit’ at the ICA
By DEBRA CASH  |  April 24, 2007
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From Berlioz to Bayadère

The czy ambiance at Symphony Hall made the announcement of the Boston Symphony Orchestra’s 2007–2008 season seem like a family chat with James Levine.
The BSO and Boston Ballet announce 2007–2008
By JEFFREY GANTZ  |  April 03, 2007


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Stormy weather

The BSO has been having terrible luck hanging on to its star soloists.
BSO cancellations, plus the Camerata, Jonathan Biss, Emmanuel Music, and more
By LLOYD SCHWARTZ  |  March 28, 2007
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In extremis

In Handel’s Ariodante we move from the sunlit first act into a world of moonlight, darkness, deception, and emotional blindness.
Handel's Ariodante and Lang Lang
By LLOYD SCHWARTZ  |  January 30, 2007
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The best of times, the worst of times

This year Boston classical music lost some of its most beloved figures — some, like mezzo-soprano Lorraine Hunt Lieberson, at the very height of their extraordinary powers, others, like opera director Sarah Caldwell and her conductor/collaborator, Osbo
A year in classical
By LLOYD SCHWARTZ  |  December 20, 2006
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Winter harvest

"I don’t want to be here,” soprano Susan Larson lamented in her moving eulogy to her old friend and colleague Lorraine Hunt Lieberson.  
Emmanuel’s memorial to Lorraine Hunt Lieberson; Angelika Kirchschlager at Jordan Hall; Rafael Frühbeck de Burgos and El Niño at the BSO
By LLOYD SCHWARTZ  |  December 12, 2006
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Landmarks

Seventy-four years after Schoenberg composed (but never finished) Moses und Aron , this towering 20th-century masterwork got its first Boston Symphony Orchestra performance.
The BSO’s Moses und Aron  and Emmanuel Music’s Orlando
By LLOYD SCHWARTZ  |  October 31, 2006


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Lorraine Hunt Lieberson

We were very lucky, here in Boston, to have had so many chances to hear Lorraine Hunt Lieberson, who died in Santa Fe last Monday at the age of 52.
1954–2006
By LLOYD SCHWARTZ  |  July 11, 2006
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Making it new

The avant-garde ain’t what it used to be.
Ballet mécanique in Washington, the Callithumpians’ Xenakis, Mark Morris in New York and Boston, Yo-Yo Ma at the BSO, Harbison’s But Mary Stood
By LLOYD SCHWARTZ  |  March 21, 2006
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Variety show

James Levine completed his second season as the Boston Symphony Orchestra’s music director with another riveting though not-quite polished evening of Schoenberg and Beethoven.
James Levine at the BSO, Ewa Podles, Gunther Schuller’s jazz, Ben Zander’s Elgar, Russell Sherman’s Mozart, Opera Boston’s Chabrier, Boston Baroque’s Purcell  
By LLOYD SCHWARTZ  |  March 08, 2006
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We {heart} Schoenberg

Now we can add James Levine’s Gurrelieder to the list of the BSO’s historic triumphs.
The BSO makes even the ‘hard’ parts appealing
By LLOYD SCHWARTZ  |  February 28, 2006
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Size isn’t everything

Phase one of the BSO’s two-year Beethoven/Schoenberg project continues next week with three performances of Gurrelieder , Schoenberg’s three-part cantata/song cycle/symphony, led by James Levine.
Schoenberg’s Gurrelieder
By DAVID WEININGER  |  February 14, 2006


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Amazing weekend

James Levine’s opening salvo for his year-long Beethoven/Schoenberg series with the Boston Symphony Orchestra couldn’t have been more ambitious: the work that opened Symphony Hall in 1900.
James Levine with the BSO and BSO Chamber Players, Hoose and the Cantata Singers  
By LLOYD SCHWARTZ  |  January 24, 2006

Boston feasts

The Boston Symphony Orchestra, Celebrity Series, Emmanuel Music, Boston Early Music Festival, and more.
Winter concert preview: classical goodies in 2006
By LLOYD SCHWARTZ  |  January 14, 2006