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Latest Articles
Definitions
Boston Ballet’s artistic director, Mikko Nissinen, wants us to think of his company as utterly contemporary, but it’s a tricky balance to pull off.
Boston Ballet’s ‘World Passions’; Streb Brave at the ICA
By
MARCIA B. SIEGEL
| October 30, 2009
Both ears and the tail for this Carmen
"World Passions," the collection of four works that Boston Ballet opened at the Opera House last night, was more pleasant than passionate until Kathleen Breen Combes sashayed out as the title character in Jorma Elo's Carmen .
Boston Ballet's 'World Passions'
By
JEFFREY GANTZ
| October 30, 2009
Terpsichore's delight
There's no end to variety to the fall's dance season, from a Boston Ballet classic to Hawaiian hula and "extreme action" acrobatics.
A season of foot (and body) work
By
DEBRA CASH
| September 18, 2009
Setting the Wang on fire
Boston Ballet's 'Ballets Russes'
Boston Ballet's 'Ballets Russes'
By
JEFFREY GANTZ
| May 22, 2009
Slideshow: Ballets Russes at the Wang
Boston Ballet performs "Diaghilev's Ballets Russes Centennial Celebration" at the Wang Theater
Diaghilev's Ballets Russes Centennial Celebration
By
PHOENIX WEB STAFF
| May 15, 2009
Crowning glory
In 1967, George Balanchine created Jewels for New York City Ballet, and in short order this evening-length triptych — Emeralds , Rubies , and Diamonds — became the crown jewel of 20th-century dance.
Boston Ballet's Jewels
By
JEFFREY GANTZ
| February 27, 2009
Adam and Eve
A day at New York City Ballet that starts with a matinee of Coppélia and ends with a Balanchine evening might seem to offer merely the contrast between classic and modern, old and new.
It's boy-meets-girl at New York City Ballet
By
JEFFREY GANTZ
| January 13, 2009
Smaller is better
Next fall, Boston Ballet will move all its performing operations to the Opera House from Citi Performing Arts Center's immense and unfriendly Wang Theatre.
Boston Ballet's Nutcracker at the Opera House
By
MARCIA B. SIEGEL
| December 02, 2008
Wising up
Sergei Prokofiev’s two classical ballets invariably find Boston Ballet playing the dating game.
James Kudelka’s Cinderella at Boston Ballet
By
JEFFREY GANTZ
| October 17, 2008
Big pond, little pond
Swan Lake is ballet’s prima ballerina because, 131 years after its Moscow premiere, it’s still poised on pointe.
Swan Lake in Boston and Providence
By
JEFFREY GANTZ
| May 06, 2008
Quo vadis?
“Next Generation” is the kind of ballet-program title that might have you asking yourself what happened to “This Generation."
Boston Ballet’s ‘Next Generation’
By
JEFFREY GANTZ
| March 10, 2008
At long last love?
Boston Ballet has been playing the Romeo and Juliet dating game for almost 25 years now.
Boston Ballet hitches up with John Cranko’s Romeo & Juliet
By
JEFFREY GANTZ
| February 20, 2008
Twinkle, twinkle
For some 15 years now, Boston Ballet has danced like a major international ballet company, and Mikko Nissinen wants to be sure everybody’s aware of that.
Boston Ballet’s ‘Night of Stars’
By
JEFFREY GANTZ
| January 31, 2008
Moonbeams
Shakespeare’s A Midsummer Night’s Dream is a dizzy dance of a drama, meandering mystifyingly between May Eve and Midsummer Eve under a moon that goes from new to full swifter than arrow from the Tartar’s bow.
Boston Ballet illumines George Balanchine’s A Midsummer Night’s Dream
By
JEFFREY GANTZ
| January 24, 2008
Dark victory
It’s a good pairing: together, Serenade and La Sylphide write an essay on doomed love
Boston Ballet in Serenade and La Sylphide
By
JEFFREY GANTZ
| October 31, 2007
The reign in Spain
If only the company could return to the local appreciation its international achievement deserves.
Boston Ballet on tour
By
CHRISTINE TEMIN
| August 07, 2007
Love after death
At 166 years old and sporting miles of white tulle, Giselle can look pretty moldy.
Boston Ballet redeems Giselle
By
JEFFREY GANTZ
| May 14, 2007
Love and death
“Classic Balanchine” as opposed to . . . “Jazz Balanchine”? “Porno Balanchine”? What was the alternative?
Boston Ballet's "Classic Balanchine" has all the basics
By
JEFFREY GANTZ
| May 09, 2007
Sight and insight
“New Visions” is the kind of title ballet-company directors come up with for programs that are sort of new and are hoping for vision.
Boston Ballet’s ‘New Visions’
By
JEFFREY GANTZ
| March 07, 2007
Dreaming and remembrance
Two momentous revivals in town showed us how big the category of classical ballet really is.
Boston Ballet’s Midsummer, Boston Conservatory’s Dark Elegies
By
MARCIA B. SIEGEL
| February 21, 2007
Stairway to Paradise?
It’s a mark of Mikko Nissinen’s ambitions for Boston Ballet that last night’s benefit Gala Performance at the Wang Theatre ended with such a défilé .
Boston Ballet's Gala performance
By
JEFFREY GANTZ
| October 26, 2006
Impossible dream?
Don Quixote has been a watershed work for Boston Ballet.
Rudolf Nureyev’s Don Quixote has yet to earn its knighthood
By
JEFFREY GANTZ
| October 25, 2006
Up and down
Dance is all about direction.
Boston Ballet looks for direction
By
JEFFREY GANTZ
| May 18, 2006
Hit and miss
Boston Ballet didn’t need Mark Morris’s blessing in 1999, and it doesn’t need it now.
Visiting and home teams swing for the fences
By
JEFFREY GANTZ
| March 22, 2006
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