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Photos: Boston Ballet tours Barcelona

Boston Ballet dancers Jeffrey Cirio and Sabi Varga "have been snapping images like crazy" during the company's five-week trip to Spain -- see what they caught in their lens.
Behind the scenes of the Boston Ballet's five-week trip to Barcelona
By JEFFREY CIRIO AND SABI VARGA  |  July 09, 2010
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Sparring with the Ultimate

There’s never been a more brilliant exemplar of the ballet art than George Balanchine.
Boston Ballet in The Four Temperaments, Apollo, and Theme and Variations
By MARICA B. SIEGEL  |  May 14, 2010
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Theme and variations

George Balanchine was famous for “non-story” ballets, but when you put three of his works — the usual number to fill up an evening — together, you always get some kind of narrative.
Boston Ballet’s ‘Ultimate Balanchine’
By JEFFREY GANTZ  |  May 14, 2010
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Here’s looking at you

Set in the usual small village — this one in the Carpathian Mountains of Eastern Europe — Coppélia might look like just another pleasant 19th-century ballet about a boy, a girl, and another girl. But appearances can be deceiving — and that’s theme of
Boston Ballet sees into the heart of Coppélia
By JEFFREY GANTZ  |  April 09, 2010
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Is it magic yet?

When you've seen every Boston Ballet Nutcracker for the past 20-odd years, and reviewed most of them, it can get a little hard to locate the magic. Then again, when you survey other Nutcracker s around the world you appreciate that there's no place l
Boston Ballet's Nutcracker
By JEFFREY GANTZ  |  December 04, 2009
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Definitions

Boston Ballet’s artistic director, Mikko Nissinen, wants us to think of his company as utterly contemporary, but it’s a tricky balance to pull off.
Boston Ballet’s ‘World Passions’; Streb Brave at the ICA
By MARCIA B. SIEGEL  |  October 30, 2009


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Both ears and the tail for this Carmen

"World Passions," the collection of four works that Boston Ballet opened at the Opera House last night, was more pleasant than passionate until Kathleen Breen Combes sashayed out as the title character in Jorma Elo's Carmen .
Boston Ballet's 'World Passions'
By JEFFREY GANTZ  |  October 30, 2009
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Lukewarm

Are we in the midst of a dance boom?
Trey McIntyre at the Pillow
By JEFFREY GANTZ  |  August 27, 2008
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Where the chips fell

Dance history reverberated across Boston during the past few weeks, affirming that how we live now owes a lot to how we’ve chosen to remember — and forget.
Marjorie Morgan, Karl Cronin, Lucinda Childs, and Boston Ballet
By MARCIA B. SIEGEL  |  May 28, 2008
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Mastering the masterpieces

It’s not exactly a trip down Memory Lane, but this weekend Boston Ballet is revisiting some pieces and choreographers it hasn’t performed in the Mikko Nissinen era.
Boston Ballet takes on Balanchine, Tudor, and Tharp
By JEFFREY GANTZ  |  May 21, 2008
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Quo vadis?

“Next Generation” is the kind of ballet-program title that might have you asking yourself what happened to “This Generation."
Boston Ballet’s ‘Next Generation’
By JEFFREY GANTZ  |  March 10, 2008


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Moonbeams

Shakespeare’s A Midsummer Night’s Dream is a dizzy dance of a drama, meandering mystifyingly between May Eve and Midsummer Eve under a moon that goes from new to full swifter than arrow from the Tartar’s bow.
Boston Ballet illumines George Balanchine’s  A Midsummer Night’s Dream
By JEFFREY GANTZ  |  January 24, 2008
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Dreaming and remembrance

Two momentous revivals in town showed us how big the category of classical ballet really is.
Boston Ballet’s Midsummer, Boston Conservatory’s Dark Elegies
By MARCIA B. SIEGEL  |  February 21, 2007
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Where’s the magic?

The hook for Boston Ballet’s production of The Nutcracker this year is “more magic.”
Looking for enchantment from Boston Ballet’s Nutcracker
By JEFFREY GANTZ  |  December 05, 2006
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Stairway to Paradise?

It’s a mark of Mikko Nissinen’s ambitions for Boston Ballet that last night’s benefit Gala Performance at the Wang Theatre ended with such a défilé .
Boston Ballet's Gala performance
By JEFFREY GANTZ  |  October 26, 2006
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Impossible dream?

Don Quixote has been a watershed work for Boston Ballet.
Rudolf Nureyev’s Don Quixote has yet to earn its knighthood
By JEFFREY GANTZ  |  October 25, 2006


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Second thoughts

When Yeats wrote, “How can we know the dancer from the dance?”, he probably wasn’t thinking of the effect different casts can have on the performance of a ballet.
Boston Ballet’s Carmen , round two
By JEFFREY GANTZ  |  May 25, 2006
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Up and down

Dance is all about direction.
Boston Ballet looks for direction
By JEFFREY GANTZ  |  May 18, 2006