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Wolfgang Amadeus Mozart
Chekhov wrote to a friend while composing The Seagull , first of his Big Four, that he was writing a “comedy with three female parts, six male parts, four acts, a landscape (a view of the lake), much talk about literature, and five tons of love.”
The Seagull flies at the Publick; Company One knocks off Assassins
| July 15, 2008
The marriage of Heaven and Hell
It’s been a joy to see James Levine back on the Symphony Hall podium, with his admirable combination of vitality and sensitivity.
Levine’s Schubert and Bolcom, Boston Baroque’s King Arthur, Jan Curtis
| March 07, 2008
There’s not a samovar in sight, and American playwright Richard Nelson has sharpened and pared down the script.
The Cherry Orchard; Brontë; Sailing Down the Amazon and Haiku
| January 17, 2007
Harvard Square was very different 40 years ago.
Ground zero for so much, for so many
| November 15, 2006
James Levine and the BSO resumed their Beethoven/Schoenberg series with superb performances of two pieces at the opposite ends of the Schoenberg spectrum.
The BSO’s Schoenberg and Beethoven; Boston Baroque’s Don Giovanni; Opera Boston’s La clemenza di Tito
| October 24, 2006
James Levine completed his second season as the Boston Symphony Orchestra’s music director with another riveting though not-quite polished evening of Schoenberg and Beethoven.
James Levine at the BSO, Ewa Podles, Gunther Schuller’s jazz, Ben Zander’s Elgar, Russell Sherman’s Mozart, Opera Boston’s Chabrier, Boston Baroque’s Purcell
| March 08, 2006
The Boston Symphony Orchestra, Celebrity Series, Emmanuel Music, Boston Early Music Festival, and more.
Winter concert preview: classical goodies in 2006
| January 14, 2006
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