Laurence Senelick

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Killing grounds

Chekhov wrote to a friend while composing The Seagull , first of his Big Four, that he was writing a “comedy with three female parts, six male parts, four acts, a landscape (a view of the lake), much talk about literature, and five tons of love.”
The Seagull flies at the Publick; Company One knocks off Assassins
By CAROLYN CLAY  |  July 15, 2008

The marriage of Heaven and Hell

It’s been a joy to see James Levine back on the Symphony Hall podium, with his admirable combination of vitality and sensitivity.
Levine’s Schubert and Bolcom, Boston Baroque’s King Arthur, Jan Curtis
By LLOYD SCHWARTZ  |  March 07, 2008

Home fires

There’s not a samovar in sight, and American playwright Richard Nelson has sharpened and pared down the script.
The Cherry Orchard; Brontë; Sailing Down the Amazon and Haiku
By CAROLYN CLAY  |  January 17, 2007

Harvard Square

Harvard Square was very different 40 years ago.
Ground zero for so much, for so many
By LLOYD SCHWARTZ  |  November 15, 2006

Transfigured nights

James Levine and the BSO resumed their Beethoven/Schoenberg series with superb performances of two pieces at the opposite ends of the Schoenberg spectrum.
The BSO’s Schoenberg and Beethoven; Boston Baroque’s Don Giovanni; Opera Boston’s La clemenza di Tito
By LLOYD SCHWARTZ  |  October 24, 2006

Variety show

James Levine completed his second season as the Boston Symphony Orchestra’s music director with another riveting though not-quite polished evening of Schoenberg and Beethoven.
James Levine at the BSO, Ewa Podles, Gunther Schuller’s jazz, Ben Zander’s Elgar, Russell Sherman’s Mozart, Opera Boston’s Chabrier, Boston Baroque’s Purcell  
By LLOYD SCHWARTZ  |  March 08, 2006

Boston feasts

The Boston Symphony Orchestra, Celebrity Series, Emmanuel Music, Boston Early Music Festival, and more.
Winter concert preview: classical goodies in 2006
By LLOYD SCHWARTZ  |  January 14, 2006