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Laura Dern

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Dreaming of celluloid

Of the handful of contemporary Asian shows on view in and around Boston this winter, that of Dinh Q. Lê should prove unique — if only because the Vietnamese condition is so far removed from the rest of East Asia’s cultural boom.
Dinh Q. Lê and Christian Tomaszewski at Tufts
By EVAN J. GARZA  |  January 12, 2009
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Lynch (One)

An intimate look at the creative process of a man who has brought nightmares and dreams alive in cinema as no one before or since.
Utterly otherworldly
By PEG ALOI  |  December 12, 2007
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Anna Wintour's hair tells all

By the time you read this, the frenzied seven days that are New York Fashion Week will be drawing to a close.
Why an editor’s locks are more revealing than her covers
By SHARON STEEL  |  September 06, 2007

Doom, gloom and zoom

Given the past year’s headlines, it can’t come as a surprise that some of the best films of 2006 had an edge of darkness to them.
A year in film
By PETER KEOUGH  |  January 16, 2007
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Say ‘cheese’

David Lynch celebrated “David Lynch Day” last Sunday in Harvard Square, where Inland Empire made its local debut at the Brattle Theatre. World without end: David Lynch’s dark and fertile film. By Peter Keough
Milking Laura Dern’s performance
By PETER KEOUGH  |  December 13, 2006
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World without end

By the time it got to the anthropomorphic bunnies acting out a sit-com to a laugh track (or are they donkeys? subscribe to www.davidlynch.com to learn more), I knew that Inland Empire was David Lynch at his most seductive and a film I’d be thinking a
David Lynch’s dark and fertile film
By PETER KEOUGH  |  December 07, 2006


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Out to Lynch


The three decade nightmare on film
By PAUL BABIN  |  December 07, 2006
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Fear and loving in Lumberton

This review originally appeared in the September 23, 1986 edition of the Boston Phoenix . Naked Lynch: Lending an ear to the director of Blue Velvet. By Owen Glieberman Blue movie: David Lynch’s Velvet revolution . By Peter Keough
Lynch's Blue Velvet
By OWEN GLIEBERMAN  |  June 14, 2006
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Naked Lynch

This review originally appeared in the September 23, 1986 edition of the Boston Phoenix . Fear and loving in Lumberton: Lynch's Blue Velvet . By Owen Glieberman | Blue movie: David Lynch’s Velvet revolution. By Peter Keough
Lending an ear to the director of Blue Velvet
By OWEN GLIEBERMAN  |  June 14, 2006
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Blue movie

When I first saw David Lynch’s masterpiece back in 1986, the undulating blue velvet curtain at the beginning — Is it cloth? Meat? Is it really blue? Fear and loving in Lumberton: Lynch's Blue Velvet . By Owen Glieberman Naked Lynch: Lending an ear
David Lynch’s Velvet revolution
By PETER KEOUGH  |  June 14, 2006
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Hi Octone

Like Paranoid Social Club’s debut before it, As Fast As’ first record for Octone Records will be pretty familiar for the band’s local fans
As Fast As’s label debut is something fierce
By SAM PFEIFLE  |  May 10, 2006