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Big Fat Whale
Springer vs. Nero!
Two opera productions overlapping at the Calderwood Pavilion exploit exploitation.
Monteverdi's Poppea opens the Boston Early Music Festival, plus the Cantata Singers, the Discovery Ensemble, and Barbara Cook at the Pops
| June 12, 2009
Jeffrey Rink has just ended his 18th and final season as music director of Chorus pro Musica. He’ll be missed.
The Cantata Singers’ Weill retrospective, Mark Morris leading Dido , Chorus pro Musica’s Carmen
| June 03, 2008
Altar and ego
Mark Morris’s Dido and Aeneas
| May 30, 2008
If the St. John Passion is Bach’s equivalent of lesser Shakespeare, the St. Matthew Passion is Bach’s King Lear.
Bernard Haitink and the BSO; Dominique Labelle with the Handel and Haydn Society
| April 02, 2008
Knussen’s interludes, barely seven minutes, are a complex but attractive mix of the seductively creepy and the intricately lively.
Julian Kuerti leads the BSO and Leon Fleisher, Stockhausen’s Mantra at Harvard, Emmanuel’s St. John Passion
| March 12, 2008
The best of times, the worst of times
This year Boston classical music lost some of its most beloved figures — some, like mezzo-soprano Lorraine Hunt Lieberson, at the very height of their extraordinary powers, others, like opera director Sarah Caldwell and her conductor/collaborator, Osbo
A year in classical
| December 20, 2006
James Levine and the BSO resumed their Beethoven/Schoenberg series with superb performances of two pieces at the opposite ends of the Schoenberg spectrum.
The BSO’s Schoenberg and Beethoven; Boston Baroque’s Don Giovanni; Opera Boston’s La clemenza di Tito
| October 24, 2006
The eyes of Osiris
Jules Massenet composed two operas about the relationship between a beautiful voluptuary and a man of the cloth, both of which take us from the high life of a cosmopolitan sin city to a desert where the heroine dies.
Boston Lyric Opera’s Thaïs, Emmanuel Music’s The Magic Flute
| May 02, 2006
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