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Julie Christie

Latest Articles

Review - the Look

Review: Charlotte Rampling: The Look

Rampling's physical gifts, unimpeded by plastic surgery in their march through time, are matched by a keen mind and an unapologetic approach to life and work.
Angelina Maccarone's portrait of the actress
By BETSY SHERMAN  |  February 03, 2012
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Review: Red Riding Hood

Sexy fairy tale adaptation with a bite
Sexy fairy tale adaptation with a bite
By PEG ALOI  |  March 11, 2011
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The rules of his game

Given that every theater season seems to bring a new production of a Chekhov play, it's surprising that so few movies have been made of his dramas, or of his short stories. Or maybe not so surprising: Chekhov is perilously difficult for filmmakers.
'Celebrating Chekhov' at the Museum of Fine Arts
By STEVE VINEBERG  |  January 22, 2010
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Review: New York, I Love You

The multi-episode portmanteau movie is usually less than the sum of its parts.
A collection of acting and screenwriting exercises
By PETER KEOUGH  |  October 16, 2009

Cheese Danish


Hamlet variations we'd like to see
By PETER KEOUGH  |  August 19, 2008
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Belle de nuit

Belle is, as she introduces herself right up front, “a whore.” Or, if you please, “prostitute, call girl, escort, hooker, courtesan.”
Secret Diary of a Call Girl on Showtime
By JUSTINE ELIAS  |  June 16, 2008


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Country for gold men

All kinds of voting has been taking place lately — for presidential candidates, for union contracts, for Oscar nominees.
And Blood will out at the Oscars  
By PETER KEOUGH  |  February 22, 2008
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The Boston Phoenix–Alumni Film Critics’ Poll

It’s true, the Boston Phoenix has never won an Oscar.
Our first-ever round-up of the past year’s best movies, with a little help from our friends
By PHOENIX STAFF  |  February 13, 2008
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Are we grading on a curve?

It’s a solid B, which isn’t bad considering the vagaries of the Academy of Motion Pictures Arts & Sciences.
Peter Keough’s Oscar Scorecard
By PHOENIX STAFF  |  January 23, 2008
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The Oscars go to Hell

Maybe it’s just as well if the writers’ strike forces a cancellation of the Oscars show.
The Devil knows what the nominations will be for this year’s Oscars
By PETER KEOUGH  |  January 18, 2008
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Masterpieces and mysteries

It is a truth universally acknowledged, that there cannot be too many Jane Austen adaptations for film and television.
‘The Complete Jane Austen’ on WGBH, and making book on the Austen detectives
By JEFFREY GANTZ  |  January 14, 2008


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The girls of summer

It’s summer, so no one’s surprised at the onslaught of sequels, adaptations, or even movies based on toys. But films with Oscar-caliber women’s roles?
The season for blockbusters, sequels, and . . . great roles for women?
By PETER KEOUGH  |  May 18, 2007
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Away from Her

Sarah Polley’s feature-directing debut boasts outstanding performances, but she’s confused Alice Munro’s elegantly straightforward structure.
Unforgettable performances in a forgettable debut film
By BRETT MICHEL  |  May 08, 2007
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Glower power

It’s a mysterious career. To Whitehead’s credit, it’s not a career in the normal sense at all.
The films of Peter Whitehead at the HFA
By A.S. HAMRAH  |  September 06, 2006