Julian Kuerti

Latest Articles


All you need is love

Outpourings of love have been flooding the Boston musical scene.
Marylou Speaker Churchill memorial, Emmanuel Music’s Haydn/Schoenberg, and more
By LLOYD SCHWARTZ  |  April 23, 2010


"I can no longer stand to let this travesty continue," sings a character in Madame White Snake , the new opera based on an ancient Chinese legend co-commissioned by Opera Boston, which has just presented its world premiere. I'm afraid I shared the senti
Opera Boston presents the world premiere of Madame White Snake; plus the Leipzig Gewandhaus and Boston Philharmonic
By LLOYD SCHWARTZ  |  March 05, 2010

2009: The year in Classical

This was a queasy year for classical music.
Beating the quease
By LLOYD SCHWARTZ  |  December 25, 2009

Open spaces

In my review of the memorable Brahms performances Sir Simon Rattle led with the Berlin Philharmonic Orchestra for the Celebrity Series of Boston last month, I should have mentioned that one decision responsible for the beauty and spaciousness of the or
The BSO's Brahms, Ben Zander's Wagner, Collage New Music, and the BEMF's Handel
By LLOYD SCHWARTZ  |  December 04, 2009


The Boston Lyric Opera comes maddeningly close to having a good Carmen . (The production continues at the Shubert Theatre through November 17.) Keith Lockhart leads a superb orchestra and chorus and a cast of plausible singers/actors in a compelling i
BLO's Carmen, the BSO's Beethoven, Emmanuel Music's Haydn and Schoenberg
By LLOYD SCHWARTZ  |  November 13, 2009

In the swim

My head’s swimming.
Guerilla Opera, von Stade’s farewell, the BSO, Handel and Haydn, the BPO, and that Tosca
By LLOYD SCHWARTZ  |  October 16, 2009


The roar of the crowd

I wasn’t there, but the opening-night dissatisfaction with the Met’s new Tosca was widely reported.
‘Opening Night at Symphony,’ Russell Sherman, the Discovery Ensemble, Boston Musica Viva, and the Bostonians
By LLOYD SCHWARTZ  |  October 02, 2009

Midsummer madness

After a relatively quiet summer, I saw Boston Midsummer Opera's Cosí fan tutte at BU's Tsai Center. Then I raced out to Tanglewood for a Mark Morris program accompanied by Yo-Yo Ma and Emanuel Ax, a BSO matinee with Ma, and all six concerts in the annua
Mark Morris, Yo-Yo Ma, and the Festival of Contemporary Music at Tanglewood, Mozart in Boston, Meyerbeer at Bard
By LLOYD SCHWARTZ  |  August 21, 2009

Center of gravity

If all those young people at last Thursday's BSO concert didn't leave Symphony Hall feeling excited about classical music and eager to come back, then classical music is in even more trouble than I thought.
Shi-Yeon Sung and Nelson Freire at the BSO; plus the Schubertiade Music Players and Emmanuel's St. Matthew Passion
By LLOYD SCHWARTZ  |  April 17, 2009

Over (and under) the top

With only one rehearsal, 31-year-old BSO Assistant Conductor Julian Kuerti confronted a challenging two-and-a-half-hour program of not-quite-standard 19th- and 20th-century repertoire.
Musical chairs at the BSO, the Pacifica at Longy, the Boston Philharmonic's three B's, and the Cecilia's Bach B-minor Mass
By LLOYD SCHWARTZ  |  November 24, 2008

Is there a pianist in the house?

Moved and excited by pianist Leon Fleisher in Beethoven’s Emperor Concerto with the Boston Symphony, I wanted to hear it again.
A last-minute Emperor at the BSO, Gatti and Ohlsson, BLO’s Elisir, and Brahms meets Weill with the Cantata Singers
By LLOYD SCHWARTZ  |  March 18, 2008


Great gifts

Knussen’s interludes, barely seven minutes, are a complex but attractive mix of the seductively creepy and the intricately lively.
Julian Kuerti leads the BSO and Leon Fleisher, Stockhausen’s Mantra at Harvard, Emmanuel’s St. John Passion
By LLOYD SCHWARTZ  |  March 12, 2008

Too much too soon?

Two of the most exciting concerts announced for this winter are on the same date, February 24.
Classical goodies for 2008
By LLOYD SCHWARTZ  |  January 31, 2008