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John Goodman

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Review: Argo

There are many heroes in Ben Affleck's spunky, polished political thriller. But the biggest hero is Hollywood itself.
Escapist cinema
By PETER KEOUGH  |  October 12, 2012
Short take: Drunkboat

Review: Drunkboat(1)

Despite a title taken from Rimbaud's poem, Bob Meyer's debut has less in common with the wunderkind symbolist than with David Mamet and the Coen Brothers.
Hamming it up
By PETER KEOUGH  |  July 13, 2012
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Amazing grace

The morning after I get back from the 41st annual New Orleans Jazz & Heritage Festival, an oil executive is on the radio: “We’re throwing everything we have at it.” Meaning the exploded BP-leased well in the Gulf of Mexico, 50 miles off the coast of
The New Orleans Jazz & Heritage Festival carries on
By JON GARELICK  |  May 07, 2010
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Easy does it

Writer/producer Eric Overmyer was quoted in a New York Times Magazine article last month, but it’s worth repeating: “ Treme is not the The Wire .” He went on: “Those who are expecting The Wire or wanting The Wire may be frustrated.”
Treme tours New Orleans
By JON GARELICK  |  April 09, 2010
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A walk on the wild side

Everyone looks so weary in Howard Yezerski Gallery's gritty documentary photos of Boston's dear departed Combat Zone from 1969 to 1978. The year's still young, but this glimpse into our past from Roswell Angier, Jerry Berndt, and John Goodman may be one
The Combat Zone, plus burlesque, drag, cross-dressing, and the avant-garde
By GREG COOK  |  February 19, 2010
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Review: The Men Who Stare at Goats

Here’s a subject that really could have used a Stanley Kubrick or a John Frankenheimer or a Robert Altman. But are there any great cinematic satirists left, auteurs with the knack for black comedy and cold-blooded irony?
Bleating hearts tame Goats
By PETER KEOUGH  |  November 06, 2009


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Review: Gigantic

Of the recent spate of young-man-finding-himself movies, Adventureland may be the most fun, but Gigantic sticks to the ribs.
Paul Dano gains stature
By BETSY SHERMAN  |  April 24, 2009
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Confessions of a Shopaholic

"Your mom and I think that if the American economy can be billions in debt and still be fine, then so can you," reason the absurdly accepting parents of Rebecca Bloomwood.
Plausibility is not its strongest suit
By BRETT MICHEL  |  February 18, 2009
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Smoke screens

What does it say about America that marijuana movies are a hot genre right now, perhaps hotter even than in the heyday of Cheech Marin and Tommy Chong’s 1978 Up in Smoke ?
Does a surge of stoner movies mean America is going to pot?
By PETER KEOUGH  |  August 13, 2008
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Spring brakes

Funny how spring movies can mirror the options of spring break.
Spring Arts Preview: Some diversions before the summer onslaught
By PETER KEOUGH  |  March 10, 2008
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Jerry-built

One day, Jerry Seinfeld was talking with his good friend Steven Spielberg, and he said, “Wouldn’t it be funny if ‘B’ movies were really about bees?”
Seinfeld’s Bee Movie gets a D-
By PETER KEOUGH  |  October 31, 2007


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Choosing our religion

It’s all about the coffee.
How one little post-war doughnut shop became synonymous with Boston’s identity
By MIKE MILIARD  |  March 02, 2007
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Tales of the Rat Fink

Pop-culture chronicler Ron Mann’s animated documentary is a playful tribute to the late Ed “Big Daddy” Roth (voiced by John Goodman), whose eccentric automobiles and monster caricatures helped shape Southern Cal’s “Kustom Kulture” craze in the ’60s. Wa
A tale sure to satisfy Big Daddy
By IAN SANDS  |  October 11, 2006
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Summer cleaning

Alas, summer flew by, and we have some apologies to hand out to the awesome schlubs we couldn’t get to. Below, ten more, in this, the final installation of our Summer of Schlub.
Some remaindered schlubs
By RYAN STEWART  |  August 25, 2006
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Marilyn Hotchkiss' Ballroom Dancing and Charm School

This latest dance-as-therapy vehicle is a scattered, cliché’d look at male grief.
Where-are-they-now cast fails to elevate long-titled, clichéd vehicle
By CHRIS WANGLER  |  April 05, 2006